Description

A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura member Brazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to have participated in Grupo Ruptura, a collective of artists that pioneered Concretism in Brazil, which counted such luminaries as Waldemar Cordeiro, Luiz Sacilotto, Geraldo de Barros, Lotar Charoux and Anatol Wladyslaw among its ranks. Lauand, initially self-taught, moved to São Paulo in the 1950s and encountered Concrete art while working at the 2nd Bienal Internacional. She then quickly delved into the movement, holding a solo show within the same year. This survey follows Lauand’s tremendous oeuvre across five decades, paying particular attention to her engagement with the Concrete movement. The catalog cover is rendered in striking Concrete style, lined with squares and enclosed within a black slipcase dotted with geometric cutouts.

Judith Lauand: Concrete Detour

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Hardback by Judith Lauand , Matheus de Andrade

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Short Description:

A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura member Brazilian painter and printmaker Judith Lauand (born... Read more

    Publisher: MASP
    Publication Date: 09/05/2023
    ISBN13: 9786557770276, 978-6557770276
    ISBN10: 6557770276

    Number of Pages: 320

    Non Fiction , Art & Photography

    Description

    A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura member Brazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to have participated in Grupo Ruptura, a collective of artists that pioneered Concretism in Brazil, which counted such luminaries as Waldemar Cordeiro, Luiz Sacilotto, Geraldo de Barros, Lotar Charoux and Anatol Wladyslaw among its ranks. Lauand, initially self-taught, moved to São Paulo in the 1950s and encountered Concrete art while working at the 2nd Bienal Internacional. She then quickly delved into the movement, holding a solo show within the same year. This survey follows Lauand’s tremendous oeuvre across five decades, paying particular attention to her engagement with the Concrete movement. The catalog cover is rendered in striking Concrete style, lined with squares and enclosed within a black slipcase dotted with geometric cutouts.

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