Description

Book Synopsis
Joyce, Benjamin and Magical Urbanism offers for the first time a sustained exploration of parallels between the fiction of James Joyce and the cultural criticism of Walter Benjamin. Benjamin is perhaps modernism’s most eloquent theorist, Joyce its finest writer of fiction; both haunted the same Paris streets at the height of the modernist moment, and both developed accounts of the flaneur’s encounter with the city, with commodity culture and with others, that were revolutionary in their day and continue to set the agendas for culture and cultural critique. To place some of the work of each side by side is to make evident their affinities: the skills of each as new cartographers of the urban, the interest of each in ethnicity, nationalism, and exile, the way in which the ‘Profane illumination’ celebrated by Benjamin meets the ‘Epiphany’ of Joyce’s A Portrait, as each rethought the epistemology of insight in the modernist moment. This collection explores these parallels between two of the greatest modernists, casting the aesthetic strategies of Joyce in the light of the aesthetic critique of Benjamin, opening up the politics of the one in the light of those of the other, and discerning the parallels between Joyce’s version of a modern urban world in which self and society effect an uneasy rapprochement and Benjamin’s modernist scenarios in which the aura might still linger. This collection discovers extraordinary parallels between the two writers who, writing in Paris, offered new accounts of urban selfhood and survival to the world.

Trade Review
”On the whole, Joyce, Benjamin and Magical Urbanism makes a serious contribution to our understanding of Benjamin’s and Joyce’s versions of urban modernity and its cultural, political, and social undertows. Its rich historical material and philosophical depth make the parallels between Joyce and Benjamin truly extraordinary.” - Irina Rasmussen Goloubeva, in: James Joyce Broadsheet, No. 96, Oct. 2013

Table of Contents
Bibliographical Note Enda Duffy and Maurizia Boscagli: Introduction: Joyce, Benjamin and Magical Urbanism Douglas Mao: Arcadian Ithaca Ellen Carol Jones: Memorial Dublin Patrick McGee: The Communist Flâneur, or, Joyce’s Boredom Maurizia Boscagli: Spectacle Reconsidered: Joycean Synaesthetics and the Dialectic of the Mutoscope Graham MacPhee: Benjamin, Joyce and the Disappearance of the Dead Enda Duffy: The Happy Ring House Heyward Ehrlich: Joyce, Benjamin and the Futurity of Fiction Scott Kaufman: “That Bantry Jobber:” William Martin Murphy and the Critique of Progress and Productivity in Ulysses Paul K. Saint-Amour: The Vertical Flâneur: Narratorial Tradecraft in the Colonial Metropolis

Joyce, Benjamin and Magical Urbanism

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    A Paperback by Maurizia Boscagli, Enda Duffy

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      View other formats and editions of Joyce, Benjamin and Magical Urbanism by Maurizia Boscagli

      Publisher: Brill
      Publication Date: 01/01/2011
      ISBN13: 9789042034259, 978-9042034259
      ISBN10:

      Description

      Book Synopsis
      Joyce, Benjamin and Magical Urbanism offers for the first time a sustained exploration of parallels between the fiction of James Joyce and the cultural criticism of Walter Benjamin. Benjamin is perhaps modernism’s most eloquent theorist, Joyce its finest writer of fiction; both haunted the same Paris streets at the height of the modernist moment, and both developed accounts of the flaneur’s encounter with the city, with commodity culture and with others, that were revolutionary in their day and continue to set the agendas for culture and cultural critique. To place some of the work of each side by side is to make evident their affinities: the skills of each as new cartographers of the urban, the interest of each in ethnicity, nationalism, and exile, the way in which the ‘Profane illumination’ celebrated by Benjamin meets the ‘Epiphany’ of Joyce’s A Portrait, as each rethought the epistemology of insight in the modernist moment. This collection explores these parallels between two of the greatest modernists, casting the aesthetic strategies of Joyce in the light of the aesthetic critique of Benjamin, opening up the politics of the one in the light of those of the other, and discerning the parallels between Joyce’s version of a modern urban world in which self and society effect an uneasy rapprochement and Benjamin’s modernist scenarios in which the aura might still linger. This collection discovers extraordinary parallels between the two writers who, writing in Paris, offered new accounts of urban selfhood and survival to the world.

      Trade Review
      ”On the whole, Joyce, Benjamin and Magical Urbanism makes a serious contribution to our understanding of Benjamin’s and Joyce’s versions of urban modernity and its cultural, political, and social undertows. Its rich historical material and philosophical depth make the parallels between Joyce and Benjamin truly extraordinary.” - Irina Rasmussen Goloubeva, in: James Joyce Broadsheet, No. 96, Oct. 2013

      Table of Contents
      Bibliographical Note Enda Duffy and Maurizia Boscagli: Introduction: Joyce, Benjamin and Magical Urbanism Douglas Mao: Arcadian Ithaca Ellen Carol Jones: Memorial Dublin Patrick McGee: The Communist Flâneur, or, Joyce’s Boredom Maurizia Boscagli: Spectacle Reconsidered: Joycean Synaesthetics and the Dialectic of the Mutoscope Graham MacPhee: Benjamin, Joyce and the Disappearance of the Dead Enda Duffy: The Happy Ring House Heyward Ehrlich: Joyce, Benjamin and the Futurity of Fiction Scott Kaufman: “That Bantry Jobber:” William Martin Murphy and the Critique of Progress and Productivity in Ulysses Paul K. Saint-Amour: The Vertical Flâneur: Narratorial Tradecraft in the Colonial Metropolis

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