Description

Book Synopsis
The first performances by Joseph Beuys were a radical turning point for twentieth-century art. Beuys saw art as a transformative action that is both personal and communal, and his expanded artistic practice engaged spirituality, personal mythology, political structures, and symbolic materials. For Manresa, one of his legendary performance actions, which took place on December 15, 1966 in Düsseldorf, he collaborated with the Danish artists Henning Christiansen and Bjørn Nørgaard.

This book presents never-before-seen materials from the performance, including texts, images, scripts, and preparatory drawings, alongside contributions from scholars and critics that offer further insight. Friedhelm Mennekes, an art critic and Jesuit priest, analyses Saint Ignatius of Loyola’s imprint on Beuys’s work while elucidating its spiritual complexity, looking beyond the popular vision of the artist as shaman. Pilar Parcerisas examines Beuys’s spiritual geography, explaining the importance the town of Manresa within it and also laying out the physical and mystical coordinates of Eurasia, a site that was always present in Beuys’s work. Klaus-D. Pohl addresses the paradoxical union between Beuys’s mysticism and the neo-Dadaists of Fluxus. Beuys’s collaborator Bjørn Nørgaard recalls his time working with the German artist and reflects on the paths he opened up. Finally, art historian Harald Szeemann considers the possibility of liberating politics through spirituality.

Table of Contents
M A N R E S A (Homage to Schmela) - Joseph Beuys, Henning Christiansen and Björn Nörgaard
Art and religion as a movement of resurgence - Friedhelm Mennekes
I also fly to you, Manresa - Pilar Parcerisas
The Manresa features at the Block Beuys in Darmstadt - Klaus D.Pohl
Joseph Beuys and his place within the Fluxus movement - Klaus D.Pohl
“Where is Element 3” - Harald Szeemann
Manresa - Björn Nörgaard
Opening lecture for the performance carried out in Manresa in 1994 - Harald Szeemann
Reality multiplied by 3 - Henning Christiansen
The cross of Björn Nörgaard - Pilar Parcerisas

Joseph Beuys–Manresa – A Spiritual Geography

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    A Paperback / softback by Friedhelm Mennekes, Pilar Parcerisas, Henning Christiansen

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      Publisher: Editorial Tenov S.L.
      Publication Date: 11/02/2022
      ISBN13: 9788494423468, 978-8494423468
      ISBN10: 8494423460

      Description

      Book Synopsis
      The first performances by Joseph Beuys were a radical turning point for twentieth-century art. Beuys saw art as a transformative action that is both personal and communal, and his expanded artistic practice engaged spirituality, personal mythology, political structures, and symbolic materials. For Manresa, one of his legendary performance actions, which took place on December 15, 1966 in Düsseldorf, he collaborated with the Danish artists Henning Christiansen and Bjørn Nørgaard.

      This book presents never-before-seen materials from the performance, including texts, images, scripts, and preparatory drawings, alongside contributions from scholars and critics that offer further insight. Friedhelm Mennekes, an art critic and Jesuit priest, analyses Saint Ignatius of Loyola’s imprint on Beuys’s work while elucidating its spiritual complexity, looking beyond the popular vision of the artist as shaman. Pilar Parcerisas examines Beuys’s spiritual geography, explaining the importance the town of Manresa within it and also laying out the physical and mystical coordinates of Eurasia, a site that was always present in Beuys’s work. Klaus-D. Pohl addresses the paradoxical union between Beuys’s mysticism and the neo-Dadaists of Fluxus. Beuys’s collaborator Bjørn Nørgaard recalls his time working with the German artist and reflects on the paths he opened up. Finally, art historian Harald Szeemann considers the possibility of liberating politics through spirituality.

      Table of Contents
      M A N R E S A (Homage to Schmela) - Joseph Beuys, Henning Christiansen and Björn Nörgaard
      Art and religion as a movement of resurgence - Friedhelm Mennekes
      I also fly to you, Manresa - Pilar Parcerisas
      The Manresa features at the Block Beuys in Darmstadt - Klaus D.Pohl
      Joseph Beuys and his place within the Fluxus movement - Klaus D.Pohl
      “Where is Element 3” - Harald Szeemann
      Manresa - Björn Nörgaard
      Opening lecture for the performance carried out in Manresa in 1994 - Harald Szeemann
      Reality multiplied by 3 - Henning Christiansen
      The cross of Björn Nörgaard - Pilar Parcerisas

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