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Book Synopsis

Stezaker attended the Slade School of Art in London in his early teens, he graduated with a Higher Diploma in Fine Art in 1973. In the early 1970s, he was among the first wave of British conceptual artists to react against what was then the predominance of Pop art.

Solo exhibitions for Stezaker were rare for some time, however, in the mid-2000s, his work was rediscovered by the art market; he is now collected by several international collectors and museums.

Made across a 32-year span, the works in Tabula Rasa unite the central themes in the art of celebrated British artist John Stezaker, from the capacities of collage to the current flow in an age of mass media. This volume brings silkscreens on canvas from the early 1990s and film still collages from the 1990s and 2009 together for the first time. An essay by art critic and cultural commentator Michael Bracewell looks at the connections within Stezaker''s practice, centering on notions of screens, voids and cut-outs.

John Stezaker: Tabula Rasa

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    A Paperback / softback by Michael Bracewell

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      View other formats and editions of John Stezaker: Tabula Rasa by Michael Bracewell

      Publisher: Ridinghouse
      Publication Date: Publication Date: 27/04/2010
      ISBN13: 9781905464302, 978-1905464302
      ISBN10: 1905464304

      Description

      Book Synopsis

      Stezaker attended the Slade School of Art in London in his early teens, he graduated with a Higher Diploma in Fine Art in 1973. In the early 1970s, he was among the first wave of British conceptual artists to react against what was then the predominance of Pop art.

      Solo exhibitions for Stezaker were rare for some time, however, in the mid-2000s, his work was rediscovered by the art market; he is now collected by several international collectors and museums.

      Made across a 32-year span, the works in Tabula Rasa unite the central themes in the art of celebrated British artist John Stezaker, from the capacities of collage to the current flow in an age of mass media. This volume brings silkscreens on canvas from the early 1990s and film still collages from the 1990s and 2009 together for the first time. An essay by art critic and cultural commentator Michael Bracewell looks at the connections within Stezaker''s practice, centering on notions of screens, voids and cut-outs.

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