Description

Book Synopsis

This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin’s writing for today’s audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin’s drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics.

The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of ‘sacra conversazione’.




Table of Contents

Contents

List of Illustrations

Note to Ruskin Referencing

List of Contributors

Acknowledgements

Introduction

Sheona Beaumont and Madeleine Emerald Thiele

Part One: Ruskin’s Sermons on Visual Theology

Earth and Heaven: Ruskin on Dirt, Work, and Beauty

Flora Armetta

Ruskin’s Venice: Embracing Sacred Fragments of Imperfect Beauty

Madeleine Emerald Thiele

‘Those are Leaves’: Ruskin’s Analogical Imagination and the Pre-Raphaelite Theology of Nature

Alison Millbank

Visual Interlude i: an Angelic Conversation

Sounds and Visions at The Chapel of St Michael and All Angels

Mark Dean and Sheona Beaumont

Part Two: Pre-Raphaelite Conversations with Ruskinian Truths

Ruskin, Rossetti, and the Sacra Conversazione of Colour

Elizabeth Helsinger

‘The Loveliest Traditions of the Christian Legend’: Ruskin, Burne-Jones, and the Imaging of the Cross

Katherine Hinzman

Crystal Balls: Visions of Creation in the Art of Burne-Jones

Suzanne Fagence Cooper

Visual Interlude ii: a Syncretic Communion

A World Without Ceiling: Mary Watts’s ‘Language of Symbols’ at Limnerslease

Lucy Ella Rose

Part Three: Reinvigorating Sacred Spaces

Victorian Exodus: Visualising the Old Testament in Dalziels’ Bible Gallery (1881)

Madeline Hewitson

Heaven on Earth: Evelyn De Morgan’s Rejection of Materialism

Sarah Hardy

Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions

Lucy Hartley

Envoi

Sheona Beaumont and Madeleine Emerald Thiele

Index


John Ruskin, the Pre-Raphaelites, and Religious

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    A Hardback by Sheona Beaumont, Madeleine Emerald Thiele

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      Publisher: Springer International Publishing AG
      Publication Date: Publication Date: 27/06/2023
      ISBN13: 9783031215537, 978-3031215537
      ISBN10: 3031215532

      Description

      Book Synopsis

      This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin’s writing for today’s audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin’s drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics.

      The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of ‘sacra conversazione’.




      Table of Contents

      Contents

      List of Illustrations

      Note to Ruskin Referencing

      List of Contributors

      Acknowledgements

      Introduction

      Sheona Beaumont and Madeleine Emerald Thiele

      Part One: Ruskin’s Sermons on Visual Theology

      Earth and Heaven: Ruskin on Dirt, Work, and Beauty

      Flora Armetta

      Ruskin’s Venice: Embracing Sacred Fragments of Imperfect Beauty

      Madeleine Emerald Thiele

      ‘Those are Leaves’: Ruskin’s Analogical Imagination and the Pre-Raphaelite Theology of Nature

      Alison Millbank

      Visual Interlude i: an Angelic Conversation

      Sounds and Visions at The Chapel of St Michael and All Angels

      Mark Dean and Sheona Beaumont

      Part Two: Pre-Raphaelite Conversations with Ruskinian Truths

      Ruskin, Rossetti, and the Sacra Conversazione of Colour

      Elizabeth Helsinger

      ‘The Loveliest Traditions of the Christian Legend’: Ruskin, Burne-Jones, and the Imaging of the Cross

      Katherine Hinzman

      Crystal Balls: Visions of Creation in the Art of Burne-Jones

      Suzanne Fagence Cooper

      Visual Interlude ii: a Syncretic Communion

      A World Without Ceiling: Mary Watts’s ‘Language of Symbols’ at Limnerslease

      Lucy Ella Rose

      Part Three: Reinvigorating Sacred Spaces

      Victorian Exodus: Visualising the Old Testament in Dalziels’ Bible Gallery (1881)

      Madeline Hewitson

      Heaven on Earth: Evelyn De Morgan’s Rejection of Materialism

      Sarah Hardy

      Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions

      Lucy Hartley

      Envoi

      Sheona Beaumont and Madeleine Emerald Thiele

      Index


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