Description
Book SynopsisDetails the months leading up to Audubon’s creation of
The Birds of America, one of the greatest works of natural history and art of the nineteenth century. The first accurate transcription of Audubon's 1826 journal, this edition corrects many of the errors, both intentional and unintentional, found in previous editions.
Trade Review“Thanks to [this] new edition of the personal diary he kept during the voyage [to England], for the first time we are able to enter to some degree into Audubon’s thoughts and feelings during that stressful year [of 1826]”—Robert O. Paxton,
New York Review of Books "Patterson strives to be faithful to the original manuscript, preserving Audubon's original writing and style except where it would lead to misunderstanding. This fidelity allows Audubon's own voice to finally emerge and provides a fascinating look at his interests, drives, and opinions."—C.T. Brundy, Choice
"Now, nearly 200 years later, Audubon is in fact "here, there and all over the Globe." And we are very lucky indeed to have a definitive transcription of the document that describes how that happened."—Anthony Doerr, Boston Globe
“This volume is all the more important because it deals specifically with the creation of [Audubon’s] masterpiece,
Birds of America‚ one of the most cherished books ever produced. This edition corrects many of the errors found in earlier published versions.”—
Library Journal “Audubon’s 1826 journal is one of the few surviving portions of his extensive journals, and [this] new, scholarly, and correct transcription is a welcome contribution and will become the standard for Audubon scholars and fans alike.”—Ron Tyler, director of the Amon Carter Museum and author of
Audubon’s Great National Work: The Royal Octavo Edition of “The Birds of America” “[Audubon] proves a memorable observer, who immediately charmed his way as a long-haired ‘American woodsman.’”—John McEwen,
Country Life (UK)
"The adventure would continue to unroll after Dec. 31, 1826, when this journal ends, but when Audubon signs off that night, he leaves us feeling that we have accompanied him in the achievement of a masterpiece."—James M. Keller, Pasatiempo – Santa Fe New Mexican
