Description

Book Synopsis
John Grade’s drawings, sculptures and installations are weathered, marked, worn and disintegrated. Made of reclaimed wood or paper, the works are buried for termites to devour, sunk into a bay to collect barnacles, or hung in forest trees for birds t o eat.

Grade’s work represents our changing environment. An attraction to travel and to the land shapes the work, mirroring pattern s found in nature, such as wasp nests, erosion, honeycombs, rocks, trees and the passage of time. Grade invites natural forces to erode and change the work and its material, e x ploring both control and disruption and risk and measured thought. The works beg in from an ex - perience – a reaction to place and history or a trek into the landscape, whether it is the old growth forests of the Pacific Northwest or the hills of Iceland.

John Grade: Reclaimed

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    £39.96

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    RRP £49.95 – you save £9.99 (20%)

    Order before 4pm today for delivery by Mon 6 Jul 2026.

    A Hardback by Julie Decker, Nicholas Bell

    5 in stock

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      Publisher: Hirmer Verlag
      Publication Date: 13/12/2018
      ISBN13: 9783777430775, 978-3777430775
      ISBN10: 3777430773

      Description

      Book Synopsis
      John Grade’s drawings, sculptures and installations are weathered, marked, worn and disintegrated. Made of reclaimed wood or paper, the works are buried for termites to devour, sunk into a bay to collect barnacles, or hung in forest trees for birds t o eat.

      Grade’s work represents our changing environment. An attraction to travel and to the land shapes the work, mirroring pattern s found in nature, such as wasp nests, erosion, honeycombs, rocks, trees and the passage of time. Grade invites natural forces to erode and change the work and its material, e x ploring both control and disruption and risk and measured thought. The works beg in from an ex - perience – a reaction to place and history or a trek into the landscape, whether it is the old growth forests of the Pacific Northwest or the hills of Iceland.

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