Description

Book Synopsis
Studies of Eastern European literature have largely confined themselves to a single language, culture, or nationality. In this highly original book, Glaser shows how writers working in Russian, Ukrainian, and Yiddish during much of the nineteenth century and the early part of the twentieth century were in intense conversation with one another. The marketplace was both the literal locale at which members of these different societies and cultures interacted with one another and a rich subject for representation in their art. It is commonplace to note the influence of Gogol on Russian literature, but Glaser shows him to have been a profound influence on Ukrainian and Yiddish literature as well. And she shows how Gogol must be understood not only within the context of his adopted city of St. Petersburg but also that of his native Ukraine. As Ukrainian and Yiddish literatures developed over this period, they were shaped by their geographical and cultural position on the margins of the Russian Empire. As distinctive as these writers may seem from one another, they are further illuminated by an appreciation of their common relationship to Russia. Glaser’s book paints a far more complicated portrait than scholars have traditionally allowed of Jewish (particularly Yiddish) literature in the context of Eastern European and Russian culture.

Table of Contents
Amelia Glaser is Professor of Literature at the University of California, San Diego. Her research and teaching interests include Russian literature and film, transnational Jewish literature, the literatures of Ukraine, the literature of immigration to the US, the Russian critical tradition, and translation theory and practice.

Jews and Ukrainians in Russia’s Literary

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    A Hardback by Amelia Glaser, Ilya Nahmanson

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      Publisher: Academic Studies Press
      Publication Date: 02/02/2021
      ISBN13: 9781644695487, 978-1644695487
      ISBN10: 1644695480

      Description

      Book Synopsis
      Studies of Eastern European literature have largely confined themselves to a single language, culture, or nationality. In this highly original book, Glaser shows how writers working in Russian, Ukrainian, and Yiddish during much of the nineteenth century and the early part of the twentieth century were in intense conversation with one another. The marketplace was both the literal locale at which members of these different societies and cultures interacted with one another and a rich subject for representation in their art. It is commonplace to note the influence of Gogol on Russian literature, but Glaser shows him to have been a profound influence on Ukrainian and Yiddish literature as well. And she shows how Gogol must be understood not only within the context of his adopted city of St. Petersburg but also that of his native Ukraine. As Ukrainian and Yiddish literatures developed over this period, they were shaped by their geographical and cultural position on the margins of the Russian Empire. As distinctive as these writers may seem from one another, they are further illuminated by an appreciation of their common relationship to Russia. Glaser’s book paints a far more complicated portrait than scholars have traditionally allowed of Jewish (particularly Yiddish) literature in the context of Eastern European and Russian culture.

      Table of Contents
      Amelia Glaser is Professor of Literature at the University of California, San Diego. Her research and teaching interests include Russian literature and film, transnational Jewish literature, the literatures of Ukraine, the literature of immigration to the US, the Russian critical tradition, and translation theory and practice.

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