Description

Book Synopsis
The first monograph on the powerful painting of Janiva Ellis, exploring abstraction, figuration, race and social acceleration This volume introduces the work of American painter Janiva Ellis, who participated in the New Museum Triennial 2018 and the Whitney Biennial 2019. Featuring a suite of new paintings created over the past year, Rats is published on the occasion of the first solo museum exhibition for Ellis, whose paintings use formal themes of speed and transformation to explore fractured states of personal and cultural perception. Her works produce abundant imagery, invented as well as appropriated. She draws from a broad array of material, including art history and pop culture, to comment on the insidious nature of white supremacist mythology and its denial of itself as a brutal social and structural force. The humor in her work aims to create space for release as well as renewal. Ellis uses figuration to paint Blackness expansively, communicating the complexity of navigating such a lopsided and violent landscape.

Janiva Ellis: Rats

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    Order before 4pm today for delivery by Tue 11 Aug 2026.

    A Paperback / softback by Janiva Ellis, Alex Gartenfeld, Stephanie Seidel

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      View other formats and editions of Janiva Ellis: Rats by Janiva Ellis

      Publisher: Distributed Art Publishers
      Publication Date: Publication Date: 19/04/2022
      ISBN13: 9781636810263, 978-1636810263
      ISBN10: 1636810268

      Description

      Book Synopsis
      The first monograph on the powerful painting of Janiva Ellis, exploring abstraction, figuration, race and social acceleration This volume introduces the work of American painter Janiva Ellis, who participated in the New Museum Triennial 2018 and the Whitney Biennial 2019. Featuring a suite of new paintings created over the past year, Rats is published on the occasion of the first solo museum exhibition for Ellis, whose paintings use formal themes of speed and transformation to explore fractured states of personal and cultural perception. Her works produce abundant imagery, invented as well as appropriated. She draws from a broad array of material, including art history and pop culture, to comment on the insidious nature of white supremacist mythology and its denial of itself as a brutal social and structural force. The humor in her work aims to create space for release as well as renewal. Ellis uses figuration to paint Blackness expansively, communicating the complexity of navigating such a lopsided and violent landscape.

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