Description

Book Synopsis
In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy''s dissertation research forms the basis for this original study of the preludes to Bach''s Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bach''s compositions have been a source of some puzzlement. As Leahy notes, the original intentions of Bach and the possible purpose of this collection might be regarded as speculative. Working from available sources, however, she argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. From Bach''s personal and deep interest in Lutheran theology to his enormous musical passion, Leahy considers closely a series of critical questions: does the original manuscript for the chorales si

Trade Review
J.S. Bach’s 'Leipzig' chorale preludes include some of his most intensely beautiful works for organ as well as some of the most challenging for the performer to interpret. While these eighteen chorale preludes have received much scholarly attention, they continue to inspire new ideas. The late Anne Leahy’s monograph explores their liturgical purpose and theological meaning in the context of Bach’s Lutheran world. Leahy bases her observations on the chorale texts, detailed analysis of the music, and writings by Luther and his followers. Her analysis includes discussion of other music by Bach, mostly vocal works with similar subjects and approaches to setting the text. As background, she highlights commentary from other Bach scholars from Spitta forward. Leahy’s comprehensive approach adds another resource for the organist to enrich performance. ... The book. . . serves as a valuable resource for the organist and student of Bach. . . . Leahy’s observations are thoughtful and often original. * The American Organist *

J. S. Bachs Leipzig Chorale Preludes

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A Hardback by Anne Leahy, Robin A. Leaver

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    View other formats and editions of J. S. Bachs Leipzig Chorale Preludes by Anne Leahy

    Publisher: Scarecrow Press
    Publication Date: 10/10/2011 12:00:00 AM
    ISBN13: 9780810881815, 978-0810881815
    ISBN10: 0810881810

    Description

    Book Synopsis
    In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy''s dissertation research forms the basis for this original study of the preludes to Bach''s Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bach''s compositions have been a source of some puzzlement. As Leahy notes, the original intentions of Bach and the possible purpose of this collection might be regarded as speculative. Working from available sources, however, she argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. From Bach''s personal and deep interest in Lutheran theology to his enormous musical passion, Leahy considers closely a series of critical questions: does the original manuscript for the chorales si

    Trade Review
    J.S. Bach’s 'Leipzig' chorale preludes include some of his most intensely beautiful works for organ as well as some of the most challenging for the performer to interpret. While these eighteen chorale preludes have received much scholarly attention, they continue to inspire new ideas. The late Anne Leahy’s monograph explores their liturgical purpose and theological meaning in the context of Bach’s Lutheran world. Leahy bases her observations on the chorale texts, detailed analysis of the music, and writings by Luther and his followers. Her analysis includes discussion of other music by Bach, mostly vocal works with similar subjects and approaches to setting the text. As background, she highlights commentary from other Bach scholars from Spitta forward. Leahy’s comprehensive approach adds another resource for the organist to enrich performance. ... The book. . . serves as a valuable resource for the organist and student of Bach. . . . Leahy’s observations are thoughtful and often original. * The American Organist *

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