Description
Book SynopsisSebastiano Vassalli (1941–2015) engaged in an ambitious project to narrate Italy, the nation, its people and its pathologies. His vast cast of characters includes a prototypical fascist father, a terrorist son, a Carmelite nun, Virgil and other literary giants, Francesco Crispi, and an orphan girl burnt as a witch. His historical panorama delves into memory, regional geographies, and national identity to interrogate the condition of the Italian nation since World War II. For Vassalli, chimeras are the myths or illusions that have repeatedly ensnared the nation, resulting in the national, social, and geopolitical dysfunctions that he denounces. Despite his literary successes and prizes (the Campiello Prize for his career, shortlisting for the Nobel Prize for Literature), he remains isolated on the Italian literary scene. This absence of critical attention largely stems from his combative relationship with the literary establishment, which developed after he broke with the neoavantgarde of the 1960s and was reinforced by his accusatory stance toward contemporary society. This book represents the first study of Vassalli’s works as a whole, investigating this difficult, contradictory, yet highly accomplished intellectual who was a major commentator on postwar society and a strongly original voice in Italian literature.
Trade Review«The first full presentation and critical assessment in English of one of Italy’s most original and thought-provoking writers of the past fifty years. The book convincingly shows how Vassalli’s characters and milieus are distinctly Italian, and yet speak the universal language of desire frustrated and crushed, in different historical settings, by the brutality of institutions and power.» (Lino Pertile, Research Professor, Romance Languages and Literatures, Harvard University)
«This sweeping study of Sebastiano Vassalli, one of European literature’s most iconoclastic public intellectuals, is a retrospective of his multifaceted oeuvre and Italy’s tumultuous politics and culture from the late 1960s onward. Meriel Tulante’s deft and timely analysis brings together literary studies and cultural history to reveal the ethos of his unsparing and polemical lens on human society.» (Letizia Modena, Associate Professor of Italian, Vanderbilt University)
Table of ContentsCONTENTS: A Laughing Matter: The Neoavantgarde, the commedia all’italiana, and a Political Trilogy – Impegno Revisited: The Public Intellectual and the Futurists – History as Meaning: The Past in Narrative – The Monster, the Nation, the Self: Marginality and Belonging – Place and Nation: Regional Identities and an Ethics of Place – A «caso» Vassalli.
