Description
Book SynopsisThis revision of avant-garde history traces a direct line back from John Cage, pop and conceptual art to the work of Whitman, Emerson, Ruskin, Carlyle and Wordsworth, showing how the art of everyday objects, often thought to be a contemporary phenomenon, actually began as far back as 1800.
Table of ContentsPreface Acknowledgments I: The End of Art? II: The Status of the Art Object Relative to Mere Real Things Before 1800 III: Confronting the Art Object: The Simple Produce of the Common Day A: William Wordsworth: The Simple Produce of the Common Day B: Thomas Carlyle: Natural Supernaturalism C: John Ruskin IV: Leaving the Raft Behind: John Cage A: Recontextualizing Cage: Industrial Supernaturalism, Suzukian Zen, and the Buddha's Raft B: The Simple Produce Changes: The Industrial Revolution and the Crisis of Natural Supernaturalism C: On the Buddha's Raft D: The Ultimate Object E: Ecology: 24'00" Epilogue Notes Index
