Description

Book Synopsis

Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by María Dueñas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldúa. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.



Trade Review

At a globally historic moment when many find ourselves forced to reconsider and reassess earlier narratives and scholarship related to feminism, activism, and the term transnational itself, a book like Intersectional Feminism in the Age of Transnationalism emerges as a timely and welcomed response. Combining genres and artists from a variety of geographies and eras, the work answers our questions while proposing others. Readers will appreciate this valuable collection. I know I did.

-- Margarite Fernandez Olmos, Professor of Spanish and Latin American literatures at Brooklyn College, City University of New York

Almost 50 years ago Pinochet’s coup d’etat imposed neoliberalism in Chile. “Freedom of the market,” the Chicago Boy’s mantra, was soon adopted by the neighboring dictatorships in the Southern Cone. In a Borgesian way neoliberalism has colonized much of the Western world. This original, interdisciplinary, intergenerational anthology sheds light on global neoliberalism from a transnational intersectional feminist approach.

-- Cynthia M. Tompkins, Professor, Latin American Cultural Production, Arizona State University

Intersectional Feminism in the Age of Transnationalism: Voices from the Margins is a vibrant collection of essays on the challenging subject of transnationalism. Each essay fully engages with complicated narratives that both express and empower transnational subjects. This volume will be of great use to scholars and students interested in the ways the concept of transnationalism can be integrated with intersectional feminism.

-- Susan Weisser, Adelphi University

Intersectional Feminism in the Age of Transnationalism: Voices from the Margins constitutes a fresh study of the effects of transnationalism and postmodernism on the "border female subject," all while challenging current views of gender, economic, and sociocultural politics. This book is required reading for all those studying and advocating for the construction of a new identity that identifies with a counterhegemonic discourse that entails transgression, difference, contradiction, subalternity, and liminality. The authors and the fictional works being selected are strategic and the book as a whole is a great contribution to the study of US Latinos and border studies.

-- Marta Boris Tarre, University of Idaho

Amador and Bezhanova gather an eclectic and comprehensive collection of essays that portrays vividly the dialog among the scholars, analyzing works of fiction, philosophy, visual art, films, and TV from Spain and Latin American through the lens of transnationalism. The book declares untapped perspectives of the marginalized subjects, genders, races, and communities. As every scholar claims, the search for equality, inclusion, and the humanization of the marginalized voices implies an everyday struggle as a result of globalization and neoliberal collusion.

-- Jorge Rosario-Vélez, Long Island University

Table of Contents

Part I: Essay, Novel, and Short Story

Chapter 1: Border Trouble: Anzaldúa's Margins

Leslie Bary

Chapter 2: Tuning In: Intimacy and Networks in Diamela Eltit’s Fuerzas especiales

Sowmya Ramanathan

Chapter 3: Transculturation and the Body: Edwidge Dandicat and Judith Ortiz Cofer

Raysa Amador

Part II: TV and Film

Chapter 4. “Postfeminist Supergirl” Turned Superspy: Crossing Borders and New Identities in El tiempo entre costuras

Barbara Minter

Chapter 5: Lucrecia Martel’s Salta Trilogy: A (Trans)National Bildungsroman of Female Sexuality

Java Singh, Doon University

Part III: Visual and Performing Arts

Chapter 6: Re-imagining the Borderlands: Intersectionality and Transnational Queering of Laura Aguilar’s Self-Portrait Three Eagles Flying

Rosita Scerbo

Chapter 7: The Transformative Experience of the New Continent in Maruja Mallo’s Art

María Alejandra Zanetta

Chapter 8: Technologies of Affective Solidarity: Salvador, Brazil’s Ani Ganzala & Zinha Franco

Naomi Pueo Wood

Intersectional Feminism in the Age of

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    A Hardback by Olga Bezhanova, Raysa E. Amador, Raysa E. Amador

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      View other formats and editions of Intersectional Feminism in the Age of by Olga Bezhanova

      Publisher: Lexington Books
      Publication Date: 17/02/2021
      ISBN13: 9781793619433, 978-1793619433
      ISBN10: 1793619433

      Description

      Book Synopsis

      Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by María Dueñas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldúa. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.



      Trade Review

      At a globally historic moment when many find ourselves forced to reconsider and reassess earlier narratives and scholarship related to feminism, activism, and the term transnational itself, a book like Intersectional Feminism in the Age of Transnationalism emerges as a timely and welcomed response. Combining genres and artists from a variety of geographies and eras, the work answers our questions while proposing others. Readers will appreciate this valuable collection. I know I did.

      -- Margarite Fernandez Olmos, Professor of Spanish and Latin American literatures at Brooklyn College, City University of New York

      Almost 50 years ago Pinochet’s coup d’etat imposed neoliberalism in Chile. “Freedom of the market,” the Chicago Boy’s mantra, was soon adopted by the neighboring dictatorships in the Southern Cone. In a Borgesian way neoliberalism has colonized much of the Western world. This original, interdisciplinary, intergenerational anthology sheds light on global neoliberalism from a transnational intersectional feminist approach.

      -- Cynthia M. Tompkins, Professor, Latin American Cultural Production, Arizona State University

      Intersectional Feminism in the Age of Transnationalism: Voices from the Margins is a vibrant collection of essays on the challenging subject of transnationalism. Each essay fully engages with complicated narratives that both express and empower transnational subjects. This volume will be of great use to scholars and students interested in the ways the concept of transnationalism can be integrated with intersectional feminism.

      -- Susan Weisser, Adelphi University

      Intersectional Feminism in the Age of Transnationalism: Voices from the Margins constitutes a fresh study of the effects of transnationalism and postmodernism on the "border female subject," all while challenging current views of gender, economic, and sociocultural politics. This book is required reading for all those studying and advocating for the construction of a new identity that identifies with a counterhegemonic discourse that entails transgression, difference, contradiction, subalternity, and liminality. The authors and the fictional works being selected are strategic and the book as a whole is a great contribution to the study of US Latinos and border studies.

      -- Marta Boris Tarre, University of Idaho

      Amador and Bezhanova gather an eclectic and comprehensive collection of essays that portrays vividly the dialog among the scholars, analyzing works of fiction, philosophy, visual art, films, and TV from Spain and Latin American through the lens of transnationalism. The book declares untapped perspectives of the marginalized subjects, genders, races, and communities. As every scholar claims, the search for equality, inclusion, and the humanization of the marginalized voices implies an everyday struggle as a result of globalization and neoliberal collusion.

      -- Jorge Rosario-Vélez, Long Island University

      Table of Contents

      Part I: Essay, Novel, and Short Story

      Chapter 1: Border Trouble: Anzaldúa's Margins

      Leslie Bary

      Chapter 2: Tuning In: Intimacy and Networks in Diamela Eltit’s Fuerzas especiales

      Sowmya Ramanathan

      Chapter 3: Transculturation and the Body: Edwidge Dandicat and Judith Ortiz Cofer

      Raysa Amador

      Part II: TV and Film

      Chapter 4. “Postfeminist Supergirl” Turned Superspy: Crossing Borders and New Identities in El tiempo entre costuras

      Barbara Minter

      Chapter 5: Lucrecia Martel’s Salta Trilogy: A (Trans)National Bildungsroman of Female Sexuality

      Java Singh, Doon University

      Part III: Visual and Performing Arts

      Chapter 6: Re-imagining the Borderlands: Intersectionality and Transnational Queering of Laura Aguilar’s Self-Portrait Three Eagles Flying

      Rosita Scerbo

      Chapter 7: The Transformative Experience of the New Continent in Maruja Mallo’s Art

      María Alejandra Zanetta

      Chapter 8: Technologies of Affective Solidarity: Salvador, Brazil’s Ani Ganzala & Zinha Franco

      Naomi Pueo Wood

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