Description

Book Synopsis
Interactive Composition empowers readers with the skills and insight needed to compose and perform electronic popular music in a variety of popular styles. This book focuses on the implementation of compositional and production concepts with each chapter culminating in a newly composed piece created by the reader using these concepts.

Trade Review
The authors' simple and direct approach to teaching how to use these powerful tools within a single environment will empower anyone to experiment with his/her own musical creativity and expressiveness. * Morton Subotnik *

Table of Contents
Table of Contents ; Acknowledgments ; Preface ; Chapter 1: Introduction to Interactive Composition ; Chapter 2: Session View ; Chapter 3: Introduction to Max for Live ; Chapter 4: Ambient ; Chapter 5: Pop & Rock Music ; Chapter 6: Electro-acoustic Music ; Chapter 7 - Hip Hop & Trap Music ; Chapter 8 - House Music ; Chapter 9 - Breakbeat/Drum & Bass ; Chapter 10 - Chiptune ; Chapter 11 - Granular Synthesis ; Chapter 12 - Dubstep ; Chapter 13 - Remixing & Loop Sampling ; Chapter 14 - Mastering ; Chapter 15: Analysis of Projects ; Bibliography ; Index

Interactive Composition Strategies Using Ableton Live and Max for Live

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Order before 4pm tomorrow for delivery by Wed 17 Dec 2025.

A Paperback by VJ Manzo, Will Kuhn

15 in stock


    View other formats and editions of Interactive Composition Strategies Using Ableton Live and Max for Live by VJ Manzo

    Publisher: Oxford University Press, USA
    Publication Date: 3/12/2015 12:00:00 AM
    ISBN13: 9780199973828, 978-0199973828
    ISBN10: 0199973822

    Description

    Book Synopsis
    Interactive Composition empowers readers with the skills and insight needed to compose and perform electronic popular music in a variety of popular styles. This book focuses on the implementation of compositional and production concepts with each chapter culminating in a newly composed piece created by the reader using these concepts.

    Trade Review
    The authors' simple and direct approach to teaching how to use these powerful tools within a single environment will empower anyone to experiment with his/her own musical creativity and expressiveness. * Morton Subotnik *

    Table of Contents
    Table of Contents ; Acknowledgments ; Preface ; Chapter 1: Introduction to Interactive Composition ; Chapter 2: Session View ; Chapter 3: Introduction to Max for Live ; Chapter 4: Ambient ; Chapter 5: Pop & Rock Music ; Chapter 6: Electro-acoustic Music ; Chapter 7 - Hip Hop & Trap Music ; Chapter 8 - House Music ; Chapter 9 - Breakbeat/Drum & Bass ; Chapter 10 - Chiptune ; Chapter 11 - Granular Synthesis ; Chapter 12 - Dubstep ; Chapter 13 - Remixing & Loop Sampling ; Chapter 14 - Mastering ; Chapter 15: Analysis of Projects ; Bibliography ; Index

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