Description
Book SynopsisEmploying a range of interpretive methods practiced in Russian/Soviet film studies, this work highlights the varied ways that Russian and Soviet cinema constructed otherness and foreignness. It explores the "us versus them" binary well known to students of Russian culture and the ways in which Russian films depicted these distinctions.
Trade Review. . . The nine essays are wonderful in their analyses of films. . . . Summing Up: Recommended. Upper-division undergraduates through faculty.February 2009
* Choice *
[The editors] and the volume's contributors offer an insightful survey of how Soviet and Russian cinema constructed the meanings of Soviet, Russian and foreign identities over the course of the twentieth and early twenty-rst centuries. . . . It will be useful to graduate students and scholars working in the area of Russian andlm studies.V.89.3 Jully 2011
* Slavic and East European Review *
. . . Stephen Norris and Zara Torlone have . . . produced an anthology that is the best I have ever had the pleasure of reading. . . Lucidly written, well researched, persuasively argued, lavishly illustrated, Insiders and Outsiders in Russian Cinema can be read with pleasure and profit by anyone from the general reader interesed in Russian culture to the most seasoned Russian film specialist.Vol. 68.2 April 2009
-- Denise J. Youngblood * University of Vermont *
. . .a fine collection of essays by leading film scholars . . . .Vol. 68.4 Winter 2009
-- Brigit Beumers * University of Bristol *
In a word, the theoretical richness and sophistication of this collection parallel the complexity of its topics and serve as an excellent cross-section of how the theme of foreigners and outsiders is examined in comtemporary studies in film. Volume 54, Issue 4 Winter 2010
* Slavonic & East European Journal *
Table of ContentsContents
Introduction: Insiders and Outsiders in Russian Cinema / Stephen M. Norris
1. The Foreigner's Journey to Consciousness in Early Soviet Cinema: The Case of Protazanov's Tommi / Julian Graffy
2. The Wise and Wicked Game: Reediting, Foreignness, and Soviet Film Culture of the Twenties / Yuri Tsivian
3. Dressing the Part: Clothing Otherness in Soviet Cinema before 1953 / Emma Widdis
4. Under the Big Top: America Goes to the Circus / Josephine Woll
5. Eisenstein's Cosmopolitan Kremlin: Drag Queens, Circus Clowns, Slugs, and Foreigners in Ivan the Terrible / Joan Neuberger
6. The Picture of the Enemy in Stalinist Films / Peter Kenez
7. Identifying the Enemy in Contemporary Russian Film / Oleg Sulkin
8. About Killers, Freaks, and Real Men: The Vigilante Hero of Aleksei Balabanov's Films / Anthony Anemone
9. Fools and Cuckoos: The Outsider as Insider in Post-Soviet War Films / Stephen M. Norris
List of Contributors
Volume Editors
Index
