Description

Shortlisted for the ReLit 2022 Poetry Award

ink earl takes the popular subgenre of erasure poetry to its illogical conclusion.

Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of “100 essays” and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families.

The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths assiduously erased by normative forces. ink earl’s variations are testament in micro to the act of poiesis as not so much a building as an intrepid series of effacements; we rub away at the walls of language we’ve lived within in order to release both what’s been written over, and what we want to say now.

Ink Earl

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£12.99

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Paperback / softback by Susan Holbrook , Susan Holbrook

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Short Description:

Shortlisted for the ReLit 2022 Poetry Awardink earl takes the popular subgenre of erasure poetry to its illogical conclusion. Starting... Read more

    Publisher: Coach House Books
    Publication Date: 25/11/2021
    ISBN13: 9781552454275, 978-1552454275
    ISBN10: 1552454274

    Number of Pages: 112

    Fiction , Poetry

    Description

    Shortlisted for the ReLit 2022 Poetry Award

    ink earl takes the popular subgenre of erasure poetry to its illogical conclusion.

    Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of “100 essays” and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families.

    The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths assiduously erased by normative forces. ink earl’s variations are testament in micro to the act of poiesis as not so much a building as an intrepid series of effacements; we rub away at the walls of language we’ve lived within in order to release both what’s been written over, and what we want to say now.

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