Description

Book Synopsis
Stephen Hartnett merges the evocative power of poetry with scholarly research to produce both a genre-bending critique of the prison industrial complex and an innovative new method of qualitative research. Based on ten years of teaching in, writing about, and protesting at prisons across America, Harnett weaves together the hopes of prisoners, their families, and friends with the stories of activist communities struggling against the death penalty, the war on drugs, and a culture that treats prisoners as commodities. Full of materials from philosophers, poets, and historians, rich in personal detail, and written as a passionate and urgent call for justice, Incarceration Nation shows the power of ethnographic poetry to give voice to the hopes and horrors of a generation confronted by the mass-production of criminality.

Trade Review
Incarceration Nation speaks from a big heart, an informed mind, and engaged action. The book is large enough to hold the 'hope and terror' required as we investigate prison. Hartnett honors the names and words of real people living their lives behind' bars, includes the speech of those we pay to guard them, shares what his own eyes have seen, and calls on thinkers and poets from Rousseau to Eugene Debs, from Whitman to Peter Dale Scott. There's even room for music. Without avoiding terror, this book uses words like grace, thankful, and joy—human words born from the choice Hartnett has made: to love. -- Judith Tannenbaum, poet, teacher, activist, and author of Disguised as A Poem: My Years Teaching Poetry at San Quentin Prison
In this pathbreaking, painful book, using poetry and personal narratives, Stephen Hartnett issues a call for social justice in America's prison system. Certain to be controversial, this powerful book exposes a side of American life that many wish to keep hidden. -- Norman K. Denzin, University of Illinois at Urbana-Champaign
Political poetry, even from great artists, is often narrow-focused if not shrill. One of the chief graces of Stephen Hartnett's dazzlingly original book, Incarceration Nation, is the amazing range of subject, mood, thought, and voice within its exploration of America's imprisoning culture. He revives Whitman's vision of America against the countervailing evidence, often by borrowing from prison poets, some grossly over-punished, some never guilty. The suppressed horrors of prison life are intercalated with gruff male humor, compassionate moments with guards, and perspectives from Schelling and Kant. Hartnett does homage to Forché's poetry of witness and Sanders's investigative poetics, but more than either, his is a poetry of engagement, of vision becoming practice. This is a major achievement, with promise of more to come. -- Peter Dale Scott, University of California, Berkeley

Table of Contents
Chapter 1 Introduction: A Reader's Guide to Investigative Prison Poetry Chapter 2 Pendleton Poems Chapter 3 "Do Right and Fear Not!" : Five Meditations on San Quentin Chapter 4 Perhaps Some Grace Chapter 5 Emptiness Doesn't Take Notice: Supermax Poems Chapter 6 Transcending Schelling's Lament Chapter 7 About the Same as Commercial Fishing Chapter 8 Love and Death in California Chapter 9 Visiting Mario Chapter 10 Karina's Question Chapter 11 Notes

Incarceration Nation

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    A Paperback by Stephen John Hartnett

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      View other formats and editions of Incarceration Nation by Stephen John Hartnett

      Publisher: Rlpg/Galleys
      Publication Date: 5/16/2003 12:00:00 AM
      ISBN13: 9780759104204, 978-0759104204
      ISBN10: 0759104204

      Description

      Book Synopsis
      Stephen Hartnett merges the evocative power of poetry with scholarly research to produce both a genre-bending critique of the prison industrial complex and an innovative new method of qualitative research. Based on ten years of teaching in, writing about, and protesting at prisons across America, Harnett weaves together the hopes of prisoners, their families, and friends with the stories of activist communities struggling against the death penalty, the war on drugs, and a culture that treats prisoners as commodities. Full of materials from philosophers, poets, and historians, rich in personal detail, and written as a passionate and urgent call for justice, Incarceration Nation shows the power of ethnographic poetry to give voice to the hopes and horrors of a generation confronted by the mass-production of criminality.

      Trade Review
      Incarceration Nation speaks from a big heart, an informed mind, and engaged action. The book is large enough to hold the 'hope and terror' required as we investigate prison. Hartnett honors the names and words of real people living their lives behind' bars, includes the speech of those we pay to guard them, shares what his own eyes have seen, and calls on thinkers and poets from Rousseau to Eugene Debs, from Whitman to Peter Dale Scott. There's even room for music. Without avoiding terror, this book uses words like grace, thankful, and joy—human words born from the choice Hartnett has made: to love. -- Judith Tannenbaum, poet, teacher, activist, and author of Disguised as A Poem: My Years Teaching Poetry at San Quentin Prison
      In this pathbreaking, painful book, using poetry and personal narratives, Stephen Hartnett issues a call for social justice in America's prison system. Certain to be controversial, this powerful book exposes a side of American life that many wish to keep hidden. -- Norman K. Denzin, University of Illinois at Urbana-Champaign
      Political poetry, even from great artists, is often narrow-focused if not shrill. One of the chief graces of Stephen Hartnett's dazzlingly original book, Incarceration Nation, is the amazing range of subject, mood, thought, and voice within its exploration of America's imprisoning culture. He revives Whitman's vision of America against the countervailing evidence, often by borrowing from prison poets, some grossly over-punished, some never guilty. The suppressed horrors of prison life are intercalated with gruff male humor, compassionate moments with guards, and perspectives from Schelling and Kant. Hartnett does homage to Forché's poetry of witness and Sanders's investigative poetics, but more than either, his is a poetry of engagement, of vision becoming practice. This is a major achievement, with promise of more to come. -- Peter Dale Scott, University of California, Berkeley

      Table of Contents
      Chapter 1 Introduction: A Reader's Guide to Investigative Prison Poetry Chapter 2 Pendleton Poems Chapter 3 "Do Right and Fear Not!" : Five Meditations on San Quentin Chapter 4 Perhaps Some Grace Chapter 5 Emptiness Doesn't Take Notice: Supermax Poems Chapter 6 Transcending Schelling's Lament Chapter 7 About the Same as Commercial Fishing Chapter 8 Love and Death in California Chapter 9 Visiting Mario Chapter 10 Karina's Question Chapter 11 Notes

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