Description
Book SynopsisIn the Mind’s Eye opens new avenues of inquiry about the Caribbean island which has played an outsized role in global politics, economics, and culture. For centuries an Edenic image of fantasy and escapism has been projected onto Cuba by observers from North America and Europe. Until recent times, the harsh historical and contemporary realities of servitude, racial strife, and environmental degradation rarely colored artists portrayal of the country, presenting a skewed perspective on this nation. While the dynamics of the Revolution in 1959 frame many conversations about Cuba, this volume seeks a longer historical trajectory by focusing on the 19th century—with visual interpretations and commentary by 21st-century artists. American artists William Glackens, Childe Hassam, Winslow Homer, and Willard Metcalf are featured alongside contemporary artists including Juan Carlos Alom, María Magdalena Campos-Pons, and Juana Valdes. Two new interviews with artists Juana Valdes and Carlos Martiel conducted by Donette Francis and Elvia Rosa Castro highlight the importance of contemporary Cuban art.
Table of ContentsLenders to the Exhibition; Acknowledgments; In the Mind's Eye: Director’s Foreword by Jordana Pomeroy; Acknowledgments; Introduction by Amy Galpin; Turning the Landscape into a Homeland: Landscape Painters in Cuba, 1850–1920 by Jorge Duany; Cultural Exchanges between Cuba and the United States, 1850–80 by Katherine Manthorne; The Waters in Between and the Art of Juana Valdes: Artist interview by Donette Francis, Associate Professor, University of Miami; The Locks of Carlos Martiel: The Body as a Political Device: Artist interview by Elvia Rosa Castro, art critic and independent curator; Catalogue; Illustrated Chronology of Cuban History/events since the late 19th century; Selected bibliography; Photo credits
