Description
Book SynopsisIn this book, Ghosh puts together thirteen new essays on Beckettâs most popular and widely read play, Waiting for Godot. Contributors explore the play in reference to topics as varied as Hindu philosophy, Agamben, Kristeva, Derrida, the absence of women in the play, Aristotleanism in structural reading, and anti-existentialism.
Trade ReviewGhosh has assembled 13 outstanding essays that review Beckett's most popular drama. The volume's contributors engage the play in meaningful contexts that have important implications for performance, production, and scholarship. Standout essays explore the political contexts of site-specific productions in Sarajevo and post-Katrina New Orleans; the affinities and contrasts of Godot to classical Greek tragedy; Beckett and allegory; and the psychodynamics of friendship and coupling. Beckett's attempt to redefine theater in postwar Europe is also explored, as are the ways in which Beckett's experiences in the French resistance suffuse this play and his other postwar writing. The essays contemplate the drama within a range of political and philosophical contexts, including issues of torture and human rights, Marxist and psychoanalytic thought, philosophical reflections on the eternal return, Aristotle's Poetics, poststructuralism, and Hindu philosophy. Taken together they shed contemporary light on this drama in ways that are suggestive for actors, directors, and scholars, and provide valuable insights into the criticism and practices of this most popular of Beckett's plays. Summing Up: Highly recommended. Upper-division undergraduates through faculty and professionals. * CHOICE *
Godot’s 'Underground Ancestry,' 'Vladimir’s Tragic Recognition,' 'The Feminine' in play, motifs of 'Speculation' and 'Infantile Politics,' editor’s Ghosh’s own placing the theme of work and play within what he has called elsewhere 'the wordling of the drama'—what a rich collection of approaches to Waiting for Godot! And as someone who works in the theatre, I also find this commentary wonderfully suggestive for both actors and directors. -- Sidney Homan, University of Florida
This varied and provocative collection of essays on Beckett's most famous play animates new and productive dialogues with an extraordinary array of thinkers. Situating the writing and performance of Godot in a range of historical contexts, the essays involve Marx, Freud, Benjamin, Hindu philosophy, Adorno, Gramsci, Brecht, Derrida, Sontag, Foucauld, Aristotle and Agamben in intertextual engagement with this profoundly though perversely allusive drama. -- Robert Gordon, Goldsmith College, University of London
Table of ContentsIntroduction: Dialogic-Godotic Ranjan Ghosh The Politics of Identification in Waiting for Godot Graley Herren “What have I said?” Vladimir’s Tragic Recognition Mark S. Byron Alone and Together: The Psychic Structure of the Couple in Waiting for Godot Mary Catanzaro Beckett contra Aristotle: A Choral Reading of Waiting for Godot Tom Cousineau Waiting upon each other: work and play in waiting for Godot Ranjan Ghosh Rien à faire: The Para-Messianics of Delay in Godot Stephen Barker Waiting For Nothing: Commitment, Resistance, and Godot’s Underground Ancestry Paul Sheehan Scrutinizing the feminine in Waiting for Godot: Vladimir and Estragon await their couples counsellor Art Horowitz Beckett’s Lucky Chance: Speculation in Waiting for Godot Eyal Amiran Samuel Beckett’s Playland: The Profane and Infantile Politics of Waiting for Godot Maria Margaroni ‘Who is Godot?’ Beckett and Allegory Shane Weller Culture, Politics and Human Rights in Waiting for Godot Wanda Balzano Index About the Authors
