Description
Book SynopsisIn Case of Loss gathers the best of Lutz Seiler's non-fiction from last twenty-five years, revealing his essays to be different to, but on a par with, his fiction and poetry. Seiler's beautifully anecdotal and associative pieces throw fascinating light on literature and his background, not least the environmental and human catastrophe of the Soviet-era mining in the community he grew up in, ‘the tired villages . . . beneath which lay the ore, uranium.’ Other essays focus on poetry, including his discovery of poetry during his military service and pieces on German poets, including Ernst Meister, Jürgen Becker and Peter Huchel, whose former house, outside Berlin, is now home to Lutz Seiler, after he broke and entered it with Huchel's widow's blessing. Meanwhile, the title essay – a fascinating insight into creative process – describes Huchel's notebook, a kind of dictionary of poetic images organised by mood and location. Providing a perfect welcome in to his work as a whole, In Case of Loss sees one of Europe's most original writers speak with openness and clarity in essays full of insight, humanity and a poet's attention to the importance of often overlooked objects and lives.
Trade Review‘If this book were a building, it would surely be a makeshift shack of some kind. A shelter for forgotten objects but also a workshop in which wheels are allowed to turn without always having to touch the ground. The views from the window keep changing. No sooner have you glimpsed old tank roads running past dunes in Fischland by the Baltic, than you’re somehow looking out from a hotel room in Los Angeles, or gazing over a lawn, which at first lies outside a proscribed poet’s house in a remote forest, and is then transported to a cultural centre in Rome. There’s a village too, still in the GDR, where everyone is tired thanks to the Cold War decision to convert it into a vast uranium mine. This is an exceptional and absorbing book, in which Lutz Seiler successfully recovers and also recreates the narrative of our times.’ Patrick Wright ---- 'It is never about reconstructing. Memory does not bring back what was forgotten. Indeed, the person who remembers doesn't even know for sure that what is remembered ever existed. . . Seiler's inimitable style as a storyteller, the wilful waywardness and weight of what he has to say, the intensity (and personal tact) of his engagement with the landscapes of others' poetries and lives all make these essays a lively portrait of the writer surrounded by his library. Seiler sets standards for reflection in art today. At the same time, he gives us a sense of the pagan-sacramental importance of objects in poetry.' Sibylle Cramer, Suddeutsche Zeitung
