Description
Book SynopsisA lavishly illustrated look at the sources behind the paintings of Francis Bacon. Francis Bacon famously found inspiration in photographs, film-stills and mass-media imagery. In this new, updated edition of In Camera, Martin Harrison reveals how these sources informed some of Bacon's most important paintings and triggered decisive turning points in the artist's stylistic development. Key influences, including the masters Velázquez, Poussin and Rodin, the photographer Eadweard Muybridge and the film director Sergei Eisenstein, are given close consideration. Bacon's work is examined in relation to the precedents set by other artists working in the tradition of making use of mechanical reproductions, including Pablo Picasso and Walter Sickert, and in the context of his contemporaries Lucian Freud, Mark Rothko, Graham Sutherland and Patrick Heron. With the aid of over 270 illustrations, including valuable source images and documents, In Camera is a bravura accomplishment of
Trade Review'An indispensable work of reference for anyone wishing to follow the protracted dialogue that Bacon conducted with photography – and through photography with the art of the past,his own work and real life' - Art Newspaper
'Scrupulous and well-balanced…crammed with information and illuminating speculation' - Literary Review
'Bacon's working documents [are] painstakingly retrieved and analysed by Martin Harrison… an opulent, paradoxically beautiful book' - Observer
'A revelation' - Daily Telegraph
Table of ContentsIntroduction • After Picasso • Michelangelo and Muybridge • Raw Material • In Camera • Skin/Flicks
