Description
Book SynopsisImprovisation and Inventio in the Performance of Medieval Music is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians.
Trade ReviewI would recommend this book as an addition to the library of any teacher or student of medieval music, medieval-curious musician, or experienced medieval professional who would like to reflect on their mediebal music practice. * Leah Stuttard, Music and Letters *
This book is a gift, born of the experience, artistry, and memory of a leading practitioner and teacher of medieval music. It is full of learning lightly worn, and invaluable advice born of long experience. Scholars will appreciate its practical approach, and performers will respect and admire its deep learning. * Thomas Forrest Kelly, Morton B. Knafel Professor of Music, Harvard University *
Finally, instructions for recreating the most basic technique in the performance of Medieval music - improvisation. Improvisation and Inventio in the Performance of Medieval Music is a welcome and long-awaited addition to early music performance practice. Angela Mariani sets a new standard for early music performance! * Timothy McGee, University of Toronto *
Table of ContentsCONTENTS List of Figures List of Tables List of Examples List of Practices 1. The Process of Inventio 2. Models: Living and "Imagined" 3. Notation and Memoria: What's Not on the Page 4. Mode: The Vocabulary of Melody 5. Inventing Melody: Old Instruments, New Voices 6. Inventing Organum: Memoria and Formula 7. Playing Poetry: The Rhetoric of Invention 8. The Long Memory: Reflections on Teaching Medieval Music APPENDIX 1: Mode Models BIBLIOGRAPHY
