Description

Book Synopsis
Derek Bailey''s Improvisation , originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms,Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and free music. By drawing on conversations with some of today''s seminal improvisers,including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott,Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.

Table of Contents
Part One * Indian music (1) * Indian music (2) * Flamenco Part Two * Baroque (1) * Baroque (2) * Organ (1) * Organ (2) Part Three * Rock * Audience * Jazz (1) * Jazz (2) * Jazz (2) Part Four * The Composer * The Composer and the Non-Improviser * The ComposerIn Practice (1) * The ComposerIn Practice (2) * The ComposerIn Question Part Five * Free * Joseph Holbrooke * The Music Improvisation Company * The MICThe Instrument * The MICRecording * Solo Part Six * Objections * Classroom Improvisation Part Seven * The Long Distance Improviser * Company * Limits and Freedom

Improvisation

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    A Paperback / softback by Derek Bailey

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      Publisher: Hachette Books
      Publication Date: 22/08/1993
      ISBN13: 9780306805288, 978-0306805288
      ISBN10: 0306805286

      Description

      Book Synopsis
      Derek Bailey''s Improvisation , originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms,Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and free music. By drawing on conversations with some of today''s seminal improvisers,including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott,Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.

      Table of Contents
      Part One * Indian music (1) * Indian music (2) * Flamenco Part Two * Baroque (1) * Baroque (2) * Organ (1) * Organ (2) Part Three * Rock * Audience * Jazz (1) * Jazz (2) * Jazz (2) Part Four * The Composer * The Composer and the Non-Improviser * The ComposerIn Practice (1) * The ComposerIn Practice (2) * The ComposerIn Question Part Five * Free * Joseph Holbrooke * The Music Improvisation Company * The MICThe Instrument * The MICRecording * Solo Part Six * Objections * Classroom Improvisation Part Seven * The Long Distance Improviser * Company * Limits and Freedom

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