Description

Book Synopsis
The collection Imperial Middlebrow, edited by Christoph Ehland and Jana Gohrisch, takes middlebrow studies further in two ways. First, it focuses on the role middlebrow writing played in the popularisation and dissemination of imperial ideology. It combines the interest in the wider function of literature for a colonial society with close scrutiny of the ideological and socio-economic contexts of writers and readers. The essays cover the Girl’s Own Paper, fiction about colonial India including its appearance in Scottish writing, the West Indies, the South Pacific, as well as illustrations of Haggard’s South African imperial romances. Second, the volume proposes using the concept of the middlebrow as an analytical tool to read recent Black and Asian British as well as Nigerian fiction.

Table of Contents
Acknowledgements List of Figures and Tables Notes on Contributors Introduction: Cross-colonial Encounters and Expressions of Power in Middlebrow Literature and Culture, 1890–1940 and the Present   Christoph Ehland and Jana Gohrisch A Girl’s Own Empire? Imperialism and the Girl’s Own Paper, 1880 to 1903   Jochen Petzold Picturing Africa: Illustration in the Allan Quatermain Adventure Fictions of H. Rider Haggard   Kate Holterhoff “Cramful of snakes and ghosts”: B.M. Croker’s Anglo-Indian Ghost Stories   Christoph Singer “An artificial little community which has climbed eight thousand feet out of the world to be cool”: Sara Jeanette Duncan, Simla, and Middlebrow Aesthetics   Samuel Caddick Imagining the British West Indies in Middlebrow Fiction   Jana Gohrisch “Intimacies of complicity and critique”: Race, Gender and Sexuality in Victoria Cross’s Imperial Fiction   Cornelia Wächter Cross-colonial Encounters and Cultural Contestation in Somerset Maugham’s “Rain”   Victoria Kuttainen Revising the Romance: Depictions of Biracial Women and Mixed Marriage in Anglo-Indian Popular Fiction   Melissa Edmundson “A small seasoning of curry-powder” in A.J. Cronin’s Hatter’s Castle   Robert Wirth Sidelining Racism and Discrimination – Recent British Black and Asian Fiction   Gesa Stedman Middlebrow 2.0: The Digital Affect and the New Nigerian Novel   Hannah Pardey  Index

Imperial Middlebrow

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    A Hardback by Christoph Ehland, Jana Gohrisch

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      Publisher: Brill
      Publication Date: 28/05/2020
      ISBN13: 9789004426559, 978-9004426559
      ISBN10:

      Description

      Book Synopsis
      The collection Imperial Middlebrow, edited by Christoph Ehland and Jana Gohrisch, takes middlebrow studies further in two ways. First, it focuses on the role middlebrow writing played in the popularisation and dissemination of imperial ideology. It combines the interest in the wider function of literature for a colonial society with close scrutiny of the ideological and socio-economic contexts of writers and readers. The essays cover the Girl’s Own Paper, fiction about colonial India including its appearance in Scottish writing, the West Indies, the South Pacific, as well as illustrations of Haggard’s South African imperial romances. Second, the volume proposes using the concept of the middlebrow as an analytical tool to read recent Black and Asian British as well as Nigerian fiction.

      Table of Contents
      Acknowledgements List of Figures and Tables Notes on Contributors Introduction: Cross-colonial Encounters and Expressions of Power in Middlebrow Literature and Culture, 1890–1940 and the Present   Christoph Ehland and Jana Gohrisch A Girl’s Own Empire? Imperialism and the Girl’s Own Paper, 1880 to 1903   Jochen Petzold Picturing Africa: Illustration in the Allan Quatermain Adventure Fictions of H. Rider Haggard   Kate Holterhoff “Cramful of snakes and ghosts”: B.M. Croker’s Anglo-Indian Ghost Stories   Christoph Singer “An artificial little community which has climbed eight thousand feet out of the world to be cool”: Sara Jeanette Duncan, Simla, and Middlebrow Aesthetics   Samuel Caddick Imagining the British West Indies in Middlebrow Fiction   Jana Gohrisch “Intimacies of complicity and critique”: Race, Gender and Sexuality in Victoria Cross’s Imperial Fiction   Cornelia Wächter Cross-colonial Encounters and Cultural Contestation in Somerset Maugham’s “Rain”   Victoria Kuttainen Revising the Romance: Depictions of Biracial Women and Mixed Marriage in Anglo-Indian Popular Fiction   Melissa Edmundson “A small seasoning of curry-powder” in A.J. Cronin’s Hatter’s Castle   Robert Wirth Sidelining Racism and Discrimination – Recent British Black and Asian Fiction   Gesa Stedman Middlebrow 2.0: The Digital Affect and the New Nigerian Novel   Hannah Pardey  Index

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