Description

Book Synopsis
Uses the under-studied genre of melodrama as a critical prism for understanding Russian/Soviet history, politics and culture - in particular, the uses to which popular culture was put in the Soviet period.

Trade Review
“Melodrama bore all the defects and virtues of its parent, the French Revolution. Given to wild flights, neck-breaking twists and turns, stark judgements of good and evil, the genre also brought public attention onto private life and the vicissitudes of underprivilege. Melodrama taught much to the Russians who appropriated it. As the contributors to the present volume demonstrate, it taught them how to see, to understand and even how to accomplish history. An imitator surely, but also a creator of life—we can all be grateful to Neuberger and McReynolds for bringing this to our attention.”—James von Geldern, Macalaster College

Table of Contents
Acknowledgments
Introduction / Louise McReynolds and Joan Neuberger
The Misanthrope, the Orphan, and the Magpie: Imported Melodrama in the Twilight of Serfdom / Richard Stites
Melodramatizing Russia: Nineteenth-Century Views from the West / Julie A. Buckler
The Importance of Being Unhappy, or, Why She Died / Beth Holmgren
Melodrama as Counterliterature? Count Amori’s Response to Three Scandalous Novels / Otto Boele
Home Was Never Where the Heart Was: Domestic Dystopias in Russia’s Silent Movie Melodramas / Louise McReynolds
Alcohol is Our Enemy! Soviet Temperance Melodramas of the 1920s / Julie A. Cassiday
Melodrama and the Myth of the Soviet Union / Lars T. Lih
Soviet Family Melodrama of the 1940s and 1950s: From Wait for Me to The Cranes Are Flying / Alexander Prokhorov
Conventional Melodrama, Innovative Theater, and a Melodramatic Society: Pavel Kohout’s Such a Love at the Moscow University Student Theater / Susan Constanzo
Between Public and Private: Revolution and Melodrama in Nikita Mikhalkov’s Slave of Love / Joan Neuberger
Playing Dead: The Operatics of Celebrity Funerals, or, The Ultimate Silent Part / Helena Goscilo
Suggested Reading
Contributors
Index

Imitations of Life

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    A Hardback by Louise Mcreynolds, Joan Neuberger

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      Publisher: Duke University Press
      Publication Date: Publication Date: 3/29/2002 12:00:00 AM
      ISBN13: 9780822327806, 978-0822327806
      ISBN10: 0822327805
      Also in:
      Theatre studies

      Description

      Book Synopsis
      Uses the under-studied genre of melodrama as a critical prism for understanding Russian/Soviet history, politics and culture - in particular, the uses to which popular culture was put in the Soviet period.

      Trade Review
      “Melodrama bore all the defects and virtues of its parent, the French Revolution. Given to wild flights, neck-breaking twists and turns, stark judgements of good and evil, the genre also brought public attention onto private life and the vicissitudes of underprivilege. Melodrama taught much to the Russians who appropriated it. As the contributors to the present volume demonstrate, it taught them how to see, to understand and even how to accomplish history. An imitator surely, but also a creator of life—we can all be grateful to Neuberger and McReynolds for bringing this to our attention.”—James von Geldern, Macalaster College

      Table of Contents
      Acknowledgments
      Introduction / Louise McReynolds and Joan Neuberger
      The Misanthrope, the Orphan, and the Magpie: Imported Melodrama in the Twilight of Serfdom / Richard Stites
      Melodramatizing Russia: Nineteenth-Century Views from the West / Julie A. Buckler
      The Importance of Being Unhappy, or, Why She Died / Beth Holmgren
      Melodrama as Counterliterature? Count Amori’s Response to Three Scandalous Novels / Otto Boele
      Home Was Never Where the Heart Was: Domestic Dystopias in Russia’s Silent Movie Melodramas / Louise McReynolds
      Alcohol is Our Enemy! Soviet Temperance Melodramas of the 1920s / Julie A. Cassiday
      Melodrama and the Myth of the Soviet Union / Lars T. Lih
      Soviet Family Melodrama of the 1940s and 1950s: From Wait for Me to The Cranes Are Flying / Alexander Prokhorov
      Conventional Melodrama, Innovative Theater, and a Melodramatic Society: Pavel Kohout’s Such a Love at the Moscow University Student Theater / Susan Constanzo
      Between Public and Private: Revolution and Melodrama in Nikita Mikhalkov’s Slave of Love / Joan Neuberger
      Playing Dead: The Operatics of Celebrity Funerals, or, The Ultimate Silent Part / Helena Goscilo
      Suggested Reading
      Contributors
      Index

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