Description
Book SynopsisThis book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural rep
Trade ReviewThis well-researched and tightly argued book demonstrates the centrality of an imagined female community, rallying around the notion of 'sisterhood,' in the construction of modern Chinese nationalism and Chinese modernity. -- Ping Zhu, University of Oklahoma
Yun Zhu’s cutting-edge and eye-opening book offers an important and inspiring study of sisterhood imaginations from late Qing to mid-Republican China. Built upon substantial archival studies, the chapters are thematically woven together and offer a nuanced, rigorous and interdisciplinary analysis of a broad array of sisterhood narratives in diverse genres, including traditional chantefable fiction, modern novellas, short stories, film and periodicals. Refreshing, timely, and well-researched, this compelling study urges readers to confront and critically assess the complexities, paradoxes and hybridizations of female subjectivities in China’s long process of transition toward modernity in a shifting global context. -- Li Guo, Utah State University
Table of ContentsIntroduction: Gender, Nation, Subjectivities, and the Discourse on Sisterhood in Modern China Chapter 1 The Emergence of the “Women’s Sphere” and the Promotion of Sisterhood in the Late Qing Chapter 2 From Dual Slaves to Liberty Flowers: The Feminist-Nationalist Spectrum of Sisterhood in Stones of the Jingwei Bird and Chivalric Beauties Chapter 3 Is Blood Always Thicker than Water? Rival Sisters and the Tensions of Modernity Chapter 4 Cosmopolitan Bourgeois Sisterhood and the Ambiguities of Female-Centeredness in Lin Loon Magazine (1931–1937) Chapter 5 Sisterly Lovers in Women’s Fiction and the Potential of “Nondevelopment” as a Feminist Intervention Conclusion
