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Book Synopsis

This book is a practical and theoretical exploration of the embodied imagining processes of devised performance in which the human and more-than-human are co-implicated in the creative process.

This study brings together the work of French theatre pedagogue Jacques Lecoq (19211999) and French philosopher of science and the imagination Gaston Bachelard (18841962) to explore the notion of the imagination as embodied, enactive and embedded in the devising process. An exploration of compelling correspondences with Bachelard, whose writings imbue Lecoq's teaching ethos, offers new practical and theoretical perspectives on Lecoq's poetic body' in contemporary devising practices. Interweaving first-hand accounts by the author and interviews with contemporary international creative practitioners who have graduated from or have been deeply influenced by Lecoq, Imagining Bodies in Performer Training interrogates how his teachings have been adapted, developed and extended in var

Imagining Bodies and Performer Training

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    £35.99

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    Order before 4pm today for delivery by Fri 26 Jun 2026.

    A Paperback by Ellie Nixon

    15 in stock


      View other formats and editions of Imagining Bodies and Performer Training by Ellie Nixon

      Publisher: Taylor & Francis Ltd
      Publication Date: 3/4/2024
      ISBN13: 9781032711249, 978-1032711249
      ISBN10: 1032711248
      Also in:
      Theatre studies

      Description

      Book Synopsis

      This book is a practical and theoretical exploration of the embodied imagining processes of devised performance in which the human and more-than-human are co-implicated in the creative process.

      This study brings together the work of French theatre pedagogue Jacques Lecoq (19211999) and French philosopher of science and the imagination Gaston Bachelard (18841962) to explore the notion of the imagination as embodied, enactive and embedded in the devising process. An exploration of compelling correspondences with Bachelard, whose writings imbue Lecoq's teaching ethos, offers new practical and theoretical perspectives on Lecoq's poetic body' in contemporary devising practices. Interweaving first-hand accounts by the author and interviews with contemporary international creative practitioners who have graduated from or have been deeply influenced by Lecoq, Imagining Bodies in Performer Training interrogates how his teachings have been adapted, developed and extended in var

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