Description

Book Synopsis

Imagination in Inquiry: A Philosophical Model and Its Applications investigates the nature, kinds, component elements, functions, scope, and uses of the imagination involved in inquiry. It further discusses how these kinds and functions vary and interact depending on the context of inquiries carried out in philosophy and its branches—from the philosophy of science and the philosophy of technology to ethics, sociopolitical philosophy, and aesthetics—and institutions like science, technology, art, and education. Using a homeostatic model, A. Pablo Iannone advances a conception of the imagination as a disposition to search for answers to various types of problems, abstract or concrete, theoretical or practical faced in inquiry. The book treats this as a working characterization, though it develops progressively clearer, more precise, and less ambiguous meanings. All along, the primary concern of the author—as well as of contributors Alejandra Iannone and Rocci Luppicini—is with the moral, aesthetic, logical, communicative, scientific, technological, artistic, literary, and philosophical uses and roles of the imagination. The book’s primary focus is not just on such things as the capacity to generate mental images, but especially on the ability to discover and create, anticipate and envision, entertain and manage.



Table of Contents

Part I: Conceptualizations

Chapter One: A Conceptual Cartography of Inquiry, the Imagination, and their Interconnected Roles

Chapter Two: Dynamics of the Imagination

Chapter Three: The Imagination’s Elements: Motives, Abilities, Circumstances, Instruments, and Functions

Chapter Four: The Interactive Imagination

Part II: The Imagination: Philosophical And Practical

Chapter Five: The Philosophical Imagination

Chapter Six: Wonder, Reason, and the Imagination in Philosophical Inquiry Contrasted with Inquiry in Art, Literature, and Science

Chapter Seven: Inquiry and the Imagination’s Balancing Act

Chapter Eight: Basic Philosophical Attitudes and the Imagination

Part III: Comparative Assessments

Chapter Nine: Feedback Loops, Today's World, and the Practical Imagination

Chapter Ten: Analogies and Disanalogies between the Roles of the Imagination in Inquiries in Philosophy, the Arts, Sciences, Other Branches of Inquiry, and Everyday Life

Part IV: Applications and Tests of This Book’s Model

Chapter Eleven: Speech Acts, the Exercise of Logic, and the Imagination in Inquiry

Chapter Twelve: The Imagination, Humor, and a Sense of Humor

Chapter Thirteen: The Imagination, and the Mixed Gift of Vision in Individual and Social Life

Chapter Fourteen: Inquiry and The Imagination in Moral Decision Making

Part V: The Imagination, Current Developments, and Future Prospects in Art and the Digital World

Chapter Fifteen: Imagining Dance Mash-Ups: A Practice-based Inquiry

Alejandra Iannone

Chapter Sixteen: Expanding Youth Ballet Education with Web-hosted Video Post-COVID

Alejandra Iannone

Chapter Seventeen: The Imagination in Technology-Ethics: The Factual, the Virtual, and the Fictional: Imagination, Appreciation, and the Open-Ended Domain of Cultural Expressions in the Digital World

Chapter Eighteen: The Imagination in Technology-Aesthetics

Rocci Luppicini

Conclusion

Imagination in Inquiry: A Philosophical Model and

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    A Hardback by A. Pablo Iannone

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      View other formats and editions of Imagination in Inquiry: A Philosophical Model and by A. Pablo Iannone

      Publisher: Lexington Books
      Publication Date: 08/09/2022
      ISBN13: 9781793649720, 978-1793649720
      ISBN10: 1793649723

      Description

      Book Synopsis

      Imagination in Inquiry: A Philosophical Model and Its Applications investigates the nature, kinds, component elements, functions, scope, and uses of the imagination involved in inquiry. It further discusses how these kinds and functions vary and interact depending on the context of inquiries carried out in philosophy and its branches—from the philosophy of science and the philosophy of technology to ethics, sociopolitical philosophy, and aesthetics—and institutions like science, technology, art, and education. Using a homeostatic model, A. Pablo Iannone advances a conception of the imagination as a disposition to search for answers to various types of problems, abstract or concrete, theoretical or practical faced in inquiry. The book treats this as a working characterization, though it develops progressively clearer, more precise, and less ambiguous meanings. All along, the primary concern of the author—as well as of contributors Alejandra Iannone and Rocci Luppicini—is with the moral, aesthetic, logical, communicative, scientific, technological, artistic, literary, and philosophical uses and roles of the imagination. The book’s primary focus is not just on such things as the capacity to generate mental images, but especially on the ability to discover and create, anticipate and envision, entertain and manage.



      Table of Contents

      Part I: Conceptualizations

      Chapter One: A Conceptual Cartography of Inquiry, the Imagination, and their Interconnected Roles

      Chapter Two: Dynamics of the Imagination

      Chapter Three: The Imagination’s Elements: Motives, Abilities, Circumstances, Instruments, and Functions

      Chapter Four: The Interactive Imagination

      Part II: The Imagination: Philosophical And Practical

      Chapter Five: The Philosophical Imagination

      Chapter Six: Wonder, Reason, and the Imagination in Philosophical Inquiry Contrasted with Inquiry in Art, Literature, and Science

      Chapter Seven: Inquiry and the Imagination’s Balancing Act

      Chapter Eight: Basic Philosophical Attitudes and the Imagination

      Part III: Comparative Assessments

      Chapter Nine: Feedback Loops, Today's World, and the Practical Imagination

      Chapter Ten: Analogies and Disanalogies between the Roles of the Imagination in Inquiries in Philosophy, the Arts, Sciences, Other Branches of Inquiry, and Everyday Life

      Part IV: Applications and Tests of This Book’s Model

      Chapter Eleven: Speech Acts, the Exercise of Logic, and the Imagination in Inquiry

      Chapter Twelve: The Imagination, Humor, and a Sense of Humor

      Chapter Thirteen: The Imagination, and the Mixed Gift of Vision in Individual and Social Life

      Chapter Fourteen: Inquiry and The Imagination in Moral Decision Making

      Part V: The Imagination, Current Developments, and Future Prospects in Art and the Digital World

      Chapter Fifteen: Imagining Dance Mash-Ups: A Practice-based Inquiry

      Alejandra Iannone

      Chapter Sixteen: Expanding Youth Ballet Education with Web-hosted Video Post-COVID

      Alejandra Iannone

      Chapter Seventeen: The Imagination in Technology-Ethics: The Factual, the Virtual, and the Fictional: Imagination, Appreciation, and the Open-Ended Domain of Cultural Expressions in the Digital World

      Chapter Eighteen: The Imagination in Technology-Aesthetics

      Rocci Luppicini

      Conclusion

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