Description

Book Synopsis
In 1938, Virginia and Ray Garner began making films in the Belgian Congo and French Cameroons. This book features Virginia Garner's diaries, which highlight the challenges of making films in Africa in the 1930s and include rich descriptions of cross-cultural interactions and micro-negotiations with chiefs, headmen, and villagers.

Trade Review
Glenn Reynolds has done the academic community a great service by bringing these journals to light. But Garner's diaries should appeal to an audience beyond academia. Her narrative provides a snapshot of one American's world view at the cusp of the 'American century.' Garner's diaries are particularly valuable because they contribute a woman's voice into the dialogue about early colonial film-making. -- J. M. Burns, professor of African history, Clemson University, author, Flickering Shadows: Cinema and Identity in Colonial Zimbabwe

Table of Contents
Chapter 1 Introduction Chapter 2 Chapter 1: Africa Diary: 1938 Chapter 3 Chapter 2: Africa Diary: 1939 Chapter 4 Chapter 3: Garner Equipment List Chapter 5 Chapter 4: Film Scenario: "A Day in an African Village"

Images Out of Africa

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    A Hardback by Virginia Garner

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      Publisher: Rlpg/Galleys
      Publication Date: 5/19/2011 12:00:00 AM
      ISBN13: 9780761853800, 978-0761853800
      ISBN10: 0761853804

      Description

      Book Synopsis
      In 1938, Virginia and Ray Garner began making films in the Belgian Congo and French Cameroons. This book features Virginia Garner's diaries, which highlight the challenges of making films in Africa in the 1930s and include rich descriptions of cross-cultural interactions and micro-negotiations with chiefs, headmen, and villagers.

      Trade Review
      Glenn Reynolds has done the academic community a great service by bringing these journals to light. But Garner's diaries should appeal to an audience beyond academia. Her narrative provides a snapshot of one American's world view at the cusp of the 'American century.' Garner's diaries are particularly valuable because they contribute a woman's voice into the dialogue about early colonial film-making. -- J. M. Burns, professor of African history, Clemson University, author, Flickering Shadows: Cinema and Identity in Colonial Zimbabwe

      Table of Contents
      Chapter 1 Introduction Chapter 2 Chapter 1: Africa Diary: 1938 Chapter 3 Chapter 2: Africa Diary: 1939 Chapter 4 Chapter 3: Garner Equipment List Chapter 5 Chapter 4: Film Scenario: "A Day in an African Village"

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