Description

Book Synopsis

‘I want to know what I am, what I want, what I can do, what is real, what is lovely.’

The post-war British artist Keith Vaughan (1912–77) was not only a supremely accomplished painter; he was an impassioned, eloquent writer. Image of a Man is the first book to provide a comprehensive critical reading of Vaughan’s extraordinary journal, which spans thirty-eight years and sixty-one volumes to form a major literary work and a fascinating document of changing times.

From close textual analysis of the original manuscripts, this book uncovers the attitudes and arguments that shaped and reshaped Vaughan’s identity as a man and as an artist. It reveals a continual process of self-construction through journal-writing, undertaken to navigate the difficulties of conscientious objection, the complications of desire as a gay man, and the challenges of making meaningful art.

By focussing on Vaughan’s journal-writing in the context of its many influences and its centrality to his art practice, Image of a Man offers not only a compelling new critical biography of a significant yet underappreciated artist, but also a sustained argument on the constructed nature of the ‘artist’ persona in early and mid-twentieth-century culture – and the opportunities afforded by journal and diary forms to make such constructions possible.



Trade Review
'Belsey writes well about Vaughan’s attitude to warfare as a conscientious objector, and how, reduced to a mere cog in the Non-Combatant Corps, he used the early part of the journal to construct an identity for himself. We are also shown Vaughan’s determination to improve and evolve as a writer. In this he succeeded, and his journal is not only an invaluable social document but, at its best, a considerable work of literature.'
Peter Parker, Times Literary Supplement

Table of Contents
Acknowledgements

Image of a Man: Introduction

Outsider
1. War and the Objector
2. Society and the Observer

Creator
3. Autobiography and the Intellectual
4. Art and the Artist

Curator
5. Self-Editorship and 'Keith Vaughan'

The Diaristic Impulse and Self-Construction: An Afterword

Bibliography

Image of a Man: The Journal of Keith Vaughan

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    Order before 4pm tomorrow for delivery by Sat 27 Jun 2026.

    A Paperback / softback by Alex Belsey

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      Publisher: Liverpool University Press
      Publication Date: 03/02/2023
      ISBN13: 9781802078244, 978-1802078244
      ISBN10: 180207824X

      Description

      Book Synopsis

      ‘I want to know what I am, what I want, what I can do, what is real, what is lovely.’

      The post-war British artist Keith Vaughan (1912–77) was not only a supremely accomplished painter; he was an impassioned, eloquent writer. Image of a Man is the first book to provide a comprehensive critical reading of Vaughan’s extraordinary journal, which spans thirty-eight years and sixty-one volumes to form a major literary work and a fascinating document of changing times.

      From close textual analysis of the original manuscripts, this book uncovers the attitudes and arguments that shaped and reshaped Vaughan’s identity as a man and as an artist. It reveals a continual process of self-construction through journal-writing, undertaken to navigate the difficulties of conscientious objection, the complications of desire as a gay man, and the challenges of making meaningful art.

      By focussing on Vaughan’s journal-writing in the context of its many influences and its centrality to his art practice, Image of a Man offers not only a compelling new critical biography of a significant yet underappreciated artist, but also a sustained argument on the constructed nature of the ‘artist’ persona in early and mid-twentieth-century culture – and the opportunities afforded by journal and diary forms to make such constructions possible.



      Trade Review
      'Belsey writes well about Vaughan’s attitude to warfare as a conscientious objector, and how, reduced to a mere cog in the Non-Combatant Corps, he used the early part of the journal to construct an identity for himself. We are also shown Vaughan’s determination to improve and evolve as a writer. In this he succeeded, and his journal is not only an invaluable social document but, at its best, a considerable work of literature.'
      Peter Parker, Times Literary Supplement

      Table of Contents
      Acknowledgements

      Image of a Man: Introduction

      Outsider
      1. War and the Objector
      2. Society and the Observer

      Creator
      3. Autobiography and the Intellectual
      4. Art and the Artist

      Curator
      5. Self-Editorship and 'Keith Vaughan'

      The Diaristic Impulse and Self-Construction: An Afterword

      Bibliography

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