Description

Book Synopsis


Trade Review
"This is a readable, engaging book. . . . Recommended." --Choice
"Miklitsch's book is gripping. . . . So the many facets of the individual versus the system or the one system against another one (in that case a mob/gangster syndicate) get a lot of attention." --PopCultureShelf
"Alert to the aesthetic, political, industrial, and historical provocations and subversions of 'gangster noir,' I Died a Million Times provides an excellent overview and analysis of this subgenre and reminds us of film noir’s rich hybridity. Full of truly superb readings of well-known and less familiar classic noir films, Robert Miklitsch’s book, written with striking verve, will engage, delight, and inform scholars and movie fans."--Julie Grossman, coauthor of Ida Lupino, Director: Her Art and Resilience in Times of Transition
"I Died a Million Times is an enjoyable and informative read for film noir aficionados and casual movie fans alike, offering a cogent analysis of ’50s gangster noir as a cinema of social commentary." --Arts Fuse
"Scholars of cinematic history and aficionados of gangster folklore will be riveted." --Library Journal

Table of Contents
Acknowledgments
Direct Address: To the Reader
Preface: Gangster/Noir
Introduction: From the Syndicate to the Classic Heist Picture
Organized Crime as “Big Combo”: The Octopus
The Syndicate Picture: Bright City Confidential
The Syndicate/Rogue Cop Film: The Racket
The Rogue Cop Film: Dragnet v. “Bloody Christmas”
“Gangster with a Badge”: On Dangerous Ground
The Heist Picture: Neo-Gangster Noir
The Proto-Heist Film: High Sierra and Beyond
Part One
1 The Syndicate Film
711 Ocean Drive: California Dreaming
The Captive City: Underworld, USA
The Big Combo: Between Men
2 The Brothers Rico: Sunshine Noir and the ’50s Syndicate Picture
3 The Phenix City Story: History and Fiction (Film), Civil Rights, and the Last Days of Pompeii
Part Two
4 Where the Sidewalk Ends: Theft, Adaptation, Prototypicality
0 5 The Rogue Cop Film
The Prowler: Car Culture/Cadillac
The Big Heat: Something/Nothing
Shield for Murder: Dirt/Castle Heights
6 Touch of Evil: Good Cop/Bad Cop
Part Three
7 The Asphalt Jungle: The City under the City
8 The Heist Film
Armored Car Robbery: Striptease
The Killing: Jigsaw Puzzle
Plunder Road: Near Mint
9 Odds against Tomorrow: Race, Space, and Sputnik Noir
Conclusion: Post-’50s Syndicate, Rogue Cop, and “Big Caper” Films
Neo-Gangster Noir Syndicate Picture: Underworld U.S.A.
The Post-’50s Rogue Cop Film: Cape Fear
Post-Classic Heist Movie: Ocean’s 11
Notes
Index

I Died a Million Times

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    Order before 4pm tomorrow for delivery by Thu 2 Jul 2026.

    A Paperback / softback by Robert Miklitsch

    4 in stock

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      Publisher: University of Illinois Press
      Publication Date: 11/01/2021
      ISBN13: 9780252085543, 978-0252085543
      ISBN10: 025208554X

      Description

      Book Synopsis


      Trade Review
      "This is a readable, engaging book. . . . Recommended." --Choice
      "Miklitsch's book is gripping. . . . So the many facets of the individual versus the system or the one system against another one (in that case a mob/gangster syndicate) get a lot of attention." --PopCultureShelf
      "Alert to the aesthetic, political, industrial, and historical provocations and subversions of 'gangster noir,' I Died a Million Times provides an excellent overview and analysis of this subgenre and reminds us of film noir’s rich hybridity. Full of truly superb readings of well-known and less familiar classic noir films, Robert Miklitsch’s book, written with striking verve, will engage, delight, and inform scholars and movie fans."--Julie Grossman, coauthor of Ida Lupino, Director: Her Art and Resilience in Times of Transition
      "I Died a Million Times is an enjoyable and informative read for film noir aficionados and casual movie fans alike, offering a cogent analysis of ’50s gangster noir as a cinema of social commentary." --Arts Fuse
      "Scholars of cinematic history and aficionados of gangster folklore will be riveted." --Library Journal

      Table of Contents
      Acknowledgments
      Direct Address: To the Reader
      Preface: Gangster/Noir
      Introduction: From the Syndicate to the Classic Heist Picture
      Organized Crime as “Big Combo”: The Octopus
      The Syndicate Picture: Bright City Confidential
      The Syndicate/Rogue Cop Film: The Racket
      The Rogue Cop Film: Dragnet v. “Bloody Christmas”
      “Gangster with a Badge”: On Dangerous Ground
      The Heist Picture: Neo-Gangster Noir
      The Proto-Heist Film: High Sierra and Beyond
      Part One
      1 The Syndicate Film
      711 Ocean Drive: California Dreaming
      The Captive City: Underworld, USA
      The Big Combo: Between Men
      2 The Brothers Rico: Sunshine Noir and the ’50s Syndicate Picture
      3 The Phenix City Story: History and Fiction (Film), Civil Rights, and the Last Days of Pompeii
      Part Two
      4 Where the Sidewalk Ends: Theft, Adaptation, Prototypicality
      0 5 The Rogue Cop Film
      The Prowler: Car Culture/Cadillac
      The Big Heat: Something/Nothing
      Shield for Murder: Dirt/Castle Heights
      6 Touch of Evil: Good Cop/Bad Cop
      Part Three
      7 The Asphalt Jungle: The City under the City
      8 The Heist Film
      Armored Car Robbery: Striptease
      The Killing: Jigsaw Puzzle
      Plunder Road: Near Mint
      9 Odds against Tomorrow: Race, Space, and Sputnik Noir
      Conclusion: Post-’50s Syndicate, Rogue Cop, and “Big Caper” Films
      Neo-Gangster Noir Syndicate Picture: Underworld U.S.A.
      The Post-’50s Rogue Cop Film: Cape Fear
      Post-Classic Heist Movie: Ocean’s 11
      Notes
      Index

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