Description

Book Synopsis
A wife is suspended in a bird cage; a thirteenth-century visionary senses the foreskin of Christ on her tongue: Fleur Jaeggy's gothic imagination knows no limits. Whether telling of mystics, tormented families or famously private writers, Jaeggy's terse, telegraphic writing is always psychologically clear-eyed and deeply moving, always one step ahead, or to the side, of her readers' expectations. In this, her long-awaited return, we read of an 'eerie maleficent calm, a brutal calm', and recognise the timbre of a writer for whom a paradoxical world seethes with quiet violence.

Trade Review
'A wonderful, brilliant, savage writer.' Susan Sontag -------- 'Fleur Jaeggy's pen is an engraver's needle depicting roots, twigs, and branches of the tree of madness-extraordinary.' Joseph Brodsky -------- 'She has the enviable first glance for people and things, she harbors a mixture of distracted levity and authoritative wisdom.' Ingeborg Bachmann -------- 'Small-scale, intense, and impeccably focused.' New Yorker -------- 'Startling and original-so disturbing and so haunting.' Cathleen Schine, The New York Review Of Books----'Thank the gods and tip the devil for Fleur Jaeggy!' Claire-Louise Bennett, author of Pond

I am the Brother of XX: Winner of the John Florio

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    A Paperback / softback by Fleur Jaeggy, Gini Alhadeff

    £8.54

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      Book details

      Publisher And Other Stories
      Published 23 June 2017
      ISBN-13 9781911508021
      978-1911508021
      ISBN-10 1911508024

      Description

      Book Synopsis
      A wife is suspended in a bird cage; a thirteenth-century visionary senses the foreskin of Christ on her tongue: Fleur Jaeggy's gothic imagination knows no limits. Whether telling of mystics, tormented families or famously private writers, Jaeggy's terse, telegraphic writing is always psychologically clear-eyed and deeply moving, always one step ahead, or to the side, of her readers' expectations. In this, her long-awaited return, we read of an 'eerie maleficent calm, a brutal calm', and recognise the timbre of a writer for whom a paradoxical world seethes with quiet violence.

      Trade Review
      'A wonderful, brilliant, savage writer.' Susan Sontag -------- 'Fleur Jaeggy's pen is an engraver's needle depicting roots, twigs, and branches of the tree of madness-extraordinary.' Joseph Brodsky -------- 'She has the enviable first glance for people and things, she harbors a mixture of distracted levity and authoritative wisdom.' Ingeborg Bachmann -------- 'Small-scale, intense, and impeccably focused.' New Yorker -------- 'Startling and original-so disturbing and so haunting.' Cathleen Schine, The New York Review Of Books----'Thank the gods and tip the devil for Fleur Jaeggy!' Claire-Louise Bennett, author of Pond

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