Description
Book SynopsisA decade after Hunter S. Thompson's death, his booksincluding Hell's Angels, The Curse of Lono, The Great Shark Hunt, and Rum Diarycontinue to sell thousands of copies each year, and previously unpublished manuscripts of his still surface for publication. While Thompson never claimed to be a great writer, he did invent a new literary stylegonzothat has been widely influential on both literature and journalism. Though Thompson and his work engendered a significanteven rabidfollowing, relatively little analysis has been published about his writing. In Hunter S. Thompson: Fear, Loathing, and the Birth of Gonzo, Kevin T. McEneaney examines the intellectual background of this American original, providing biographical details and placing Thompson within a larger social and historical context. A significant portion of this book is devoted to the creation, reception, and legacy of his most important works, particularly Fear and Loathing in Las Vegas. In addition to discussing influences on T
Trade ReviewThis literary study from McEneaney is a thorough if sometimes heavy-going examination of Hunter S. Thompson’s place in American letters, with a focus on the 'gonzo' style he created. McEneaney spends much of the book on an extensive analysis of Thompson’s autobiographical novel, Fear and Loathing in Las Vegas. He explores the author’s complicated friendship with attorney Oscar Zeta Acosta, the inspiration for the sidekick character Dr. Gonzo, and theorizes that another character was intended as a parody of Joan Didion. McEneaney’s argument that Thompson combined sincere love for country with a fractured perspective on the American dream is compelling. . . .This book will appeal to fans looking to know more about Thompson’s place within literature. * Publishers Weekly *
In this book-length study of author and journalist Thompson, McEneaney emphasizes Thompson’s literary influences and strategies, most notably the effect of Thompson’s storied use of humor that 'twisted or warped' such 'literary templates . . . to create original commentary.' McEneaney mines Thompson’s ample correspondence for biographical detail and social context applied toward a series of readings covering a range of forms including novels, nonfiction prose, essays, and short stories. This work may be of interest to scholars of New Journalism and US countercultural movements of the late twentieth century. * American Literature *
