Description

Book Synopsis
Lucid, entertaining and full of insight, How To Read A Poem is designed to banish the intimidation that too often attends the subject of poetry, and in doing so to bring it into the personal possession of the students and the general reader. * Offers a detailed examination of poetic form and its relation to content.

Trade Review
"The wit he brings to the task of helping readers read poems will, for some readers (myself included), be a source of pleasure." (Notes and Queries, June 2010)

“Eagleton raises many interesting points” –Choice

“A how-to book with an agenda. Smart, witty and provocative ... How to Read a Poem challenges us not only to look again at poetic form, but also to bring aesthetics back into our discussions fo what makes a poem worth studying. We may not agree with Eagleton, but we would do well to accept his challenge."–College Literature

"Illuminating."–The Times



Table of Contents

Preface vii

Acknowledgements viii

1 The Functions of Criticism 1

1 The End of Criticism? 1

2 Politics and Rhetoric 8

3 The Death of Experience 17

4 Imagination 22

2 What is Poetry? 25

1 Poetry and Prose 25

2 Poetry and Morality 28

3 Poetry and Fiction 31

4 Poetry and Pragmatism 38

5 Poetic Language 41

3 Formalists 48

1 Literariness 48

2 Estrangement 49

3 The Semiotics of Yury Lotman 52

4 The Incarnational Fallacy 59

4 In Pursuit of Form 65

1 The Meaning of Form 65

2 Form versus Content 70

3 Form as Transcending Content 79

4 Poetry and Performance 88

5 Two American Examples 96

5 How to Read a Poem 102

1 Is Criticism Just Subjective? 102

2 Meaning and Subjectivity 108

3 Tone, Mood and Pitch 114

4 Intensity and Pace 118

5 Texture 120

6 Syntax, Grammar and Punctuation 121

7 Ambiguity 124

8 Punctuation 130

9 Rhyme 131

10 Rhythm and Metre 135

11 Imagery 138

6 Four Nature Poems 143

1 William Collins, 'Ode to Evening' 143

2 William Wordsworth, 'The Solitary Reaper' 149

3 Gerard Manley Hopkins, 'God's Grandeur' 153

4 Edward Thomas, 'Fifty Faggots' 157

5 Form and History 161

Glossary 165

Index 169

How to Read a Poem

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    A Hardback by Terry Eagleton

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of How to Read a Poem by Terry Eagleton

      Publisher: John Wiley and Sons Ltd
      Publication Date: Publication Date: 20/09/2006
      ISBN13: 9781405151405, 978-1405151405
      ISBN10: 1405151404

      Description

      Book Synopsis
      Lucid, entertaining and full of insight, How To Read A Poem is designed to banish the intimidation that too often attends the subject of poetry, and in doing so to bring it into the personal possession of the students and the general reader. * Offers a detailed examination of poetic form and its relation to content.

      Trade Review
      "The wit he brings to the task of helping readers read poems will, for some readers (myself included), be a source of pleasure." (Notes and Queries, June 2010)

      “Eagleton raises many interesting points” –Choice

      “A how-to book with an agenda. Smart, witty and provocative ... How to Read a Poem challenges us not only to look again at poetic form, but also to bring aesthetics back into our discussions fo what makes a poem worth studying. We may not agree with Eagleton, but we would do well to accept his challenge."–College Literature

      "Illuminating."–The Times



      Table of Contents

      Preface vii

      Acknowledgements viii

      1 The Functions of Criticism 1

      1 The End of Criticism? 1

      2 Politics and Rhetoric 8

      3 The Death of Experience 17

      4 Imagination 22

      2 What is Poetry? 25

      1 Poetry and Prose 25

      2 Poetry and Morality 28

      3 Poetry and Fiction 31

      4 Poetry and Pragmatism 38

      5 Poetic Language 41

      3 Formalists 48

      1 Literariness 48

      2 Estrangement 49

      3 The Semiotics of Yury Lotman 52

      4 The Incarnational Fallacy 59

      4 In Pursuit of Form 65

      1 The Meaning of Form 65

      2 Form versus Content 70

      3 Form as Transcending Content 79

      4 Poetry and Performance 88

      5 Two American Examples 96

      5 How to Read a Poem 102

      1 Is Criticism Just Subjective? 102

      2 Meaning and Subjectivity 108

      3 Tone, Mood and Pitch 114

      4 Intensity and Pace 118

      5 Texture 120

      6 Syntax, Grammar and Punctuation 121

      7 Ambiguity 124

      8 Punctuation 130

      9 Rhyme 131

      10 Rhythm and Metre 135

      11 Imagery 138

      6 Four Nature Poems 143

      1 William Collins, 'Ode to Evening' 143

      2 William Wordsworth, 'The Solitary Reaper' 149

      3 Gerard Manley Hopkins, 'God's Grandeur' 153

      4 Edward Thomas, 'Fifty Faggots' 157

      5 Form and History 161

      Glossary 165

      Index 169

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