Description

Book Synopsis
Jennifer L. Creech is Instructor of German at Oregon State University, USA. She is the author of Mothers, Comrades and Outcasts in East German Women's Films (2016) and co-editor of Spectacle: German Visual Culture, Vol. 2 (2015)Thomas O. Haakeson is Associate Professor in Humanities & Sciences at California College of the Arts, USA. He is the author of Grotesque Visions: The Science of Berlin Dada (2021), and co-editor of Spectacle: German Visual Culture, Vol. 2 (2015)

Trade Review
From biblical arousals to RAF corpse art; from Joy's feminist pornography to Dr Bitch Ray's bodily interventions, there is much to admire in this thought-provoking essay collection on the visual culture and politics of the body in real-world German contexts. * Michael Hau, author of Performance Anxiety: Sport and Work in Germany from the Empire to Nazism (2017), and Head of History, Monash University, Australia *
How to Make the Body is a rich, multi-faceted volume that demonstrates the value of focusing on the body, and embodiment, in examining various aspects of visual culture in 20th and 21st-century German contexts […] and with a strong and welcome emphasis on feminist and queer approaches. * Rick McCormick, Professor of German, Nordic, Slavic, and Dutch, University of Minnesota, USA *
Engaging with a diverse array of events, texts, and representations of lived experience, How to Make the Body powerfully mobilizes a range of cutting-edge theoretical approaches to generate new understandings of embodiment vital to German Studies and beyond. * Sara F. Hall, Associate Professor of Germanic Studies, University of Illinois Chicago, USA *

Table of Contents
1. Jennifer L. Creech and Thomas O. Haakenson, “Introduction: How to Make the Body” 2. Alison Stewart, “Arousal, the Bible, and Bruegel’s Codpieces: The Male Body in Early Modern Visual Culture” 3. David Ciarlo, “The Construction of the Aryan Body in German Visual Advertising, 1908-33” 4. Jill Holaday, “Die Gruppe Zero: Transforming Trauma to Transcendence” 5.Ilka Rasch, “RAF Corpse Art: The Living Dead in the Work of Gerhard Richter, Ernst Volland, Astrid Proll and Andres Veiel” 6. Sebastian Heiduschke, “Penis-bodied Specimen in the Exhibit Körperwelten (‘Body Worlds’)” 7. Jennifer L. Creech, “For the Porn Connoisseur: Cinema Joy” 8. Zachary Fitzpatrick, “Orientalized Bodies at Work: Cultural Zaniness in Berlin's Sayonara Tokyo Revue” 9. Thomas O. Haakenson, “Ai Weiwei’s Body in Berlin” 10. Jamele Watkins, “Afrolocken: Natural Hair in German Literature and Media” 11. Faye Stewart, “Poppthority: The Politics of Dr. Bitch Ray’s Bodily Interventions” 12. Lucy Ashton, “Becoming Invisible/ Against Visibility: Hito Steyerl’s How Not to be Seen: A Fucking Didactic Educational. MOV File”

How to Make the Body

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    Order before 4pm tomorrow for delivery by Wed 1 Jul 2026.

    A Hardback by Jennifer Creech, Dr. Thomas O. Haakenson

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      View other formats and editions of How to Make the Body by Jennifer Creech

      Publisher: Bloomsbury Publishing PLC
      Publication Date: 02/06/2022
      ISBN13: 9781350194045, 978-1350194045
      ISBN10: 1350194042
      Also in:
      Theory of art

      Description

      Book Synopsis
      Jennifer L. Creech is Instructor of German at Oregon State University, USA. She is the author of Mothers, Comrades and Outcasts in East German Women's Films (2016) and co-editor of Spectacle: German Visual Culture, Vol. 2 (2015)Thomas O. Haakeson is Associate Professor in Humanities & Sciences at California College of the Arts, USA. He is the author of Grotesque Visions: The Science of Berlin Dada (2021), and co-editor of Spectacle: German Visual Culture, Vol. 2 (2015)

      Trade Review
      From biblical arousals to RAF corpse art; from Joy's feminist pornography to Dr Bitch Ray's bodily interventions, there is much to admire in this thought-provoking essay collection on the visual culture and politics of the body in real-world German contexts. * Michael Hau, author of Performance Anxiety: Sport and Work in Germany from the Empire to Nazism (2017), and Head of History, Monash University, Australia *
      How to Make the Body is a rich, multi-faceted volume that demonstrates the value of focusing on the body, and embodiment, in examining various aspects of visual culture in 20th and 21st-century German contexts […] and with a strong and welcome emphasis on feminist and queer approaches. * Rick McCormick, Professor of German, Nordic, Slavic, and Dutch, University of Minnesota, USA *
      Engaging with a diverse array of events, texts, and representations of lived experience, How to Make the Body powerfully mobilizes a range of cutting-edge theoretical approaches to generate new understandings of embodiment vital to German Studies and beyond. * Sara F. Hall, Associate Professor of Germanic Studies, University of Illinois Chicago, USA *

      Table of Contents
      1. Jennifer L. Creech and Thomas O. Haakenson, “Introduction: How to Make the Body” 2. Alison Stewart, “Arousal, the Bible, and Bruegel’s Codpieces: The Male Body in Early Modern Visual Culture” 3. David Ciarlo, “The Construction of the Aryan Body in German Visual Advertising, 1908-33” 4. Jill Holaday, “Die Gruppe Zero: Transforming Trauma to Transcendence” 5.Ilka Rasch, “RAF Corpse Art: The Living Dead in the Work of Gerhard Richter, Ernst Volland, Astrid Proll and Andres Veiel” 6. Sebastian Heiduschke, “Penis-bodied Specimen in the Exhibit Körperwelten (‘Body Worlds’)” 7. Jennifer L. Creech, “For the Porn Connoisseur: Cinema Joy” 8. Zachary Fitzpatrick, “Orientalized Bodies at Work: Cultural Zaniness in Berlin's Sayonara Tokyo Revue” 9. Thomas O. Haakenson, “Ai Weiwei’s Body in Berlin” 10. Jamele Watkins, “Afrolocken: Natural Hair in German Literature and Media” 11. Faye Stewart, “Poppthority: The Politics of Dr. Bitch Ray’s Bodily Interventions” 12. Lucy Ashton, “Becoming Invisible/ Against Visibility: Hito Steyerl’s How Not to be Seen: A Fucking Didactic Educational. MOV File”

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