Description

Book Synopsis

How to Do Things with Dead People studies human contrivances for representing and relating to the dead. Alice Dailey takes as her principal objects of inquiry Shakespeare''s English history plays, describing them as reproductive mechanisms by which living replicas of dead historical figures are regenerated in the present and re-killed. Considering the plays in these terms exposes their affinity with a transhistorical array of technologies for producing, reproducing, and interacting with dead thingstechnologies such as literary doppelgängers, photography, ventriloquist puppetry, X-ray imaging, glitch art, capital punishment machines, and cloning.

By situating Shakespeare''s historical drama in this intermedial conversation, Dailey challenges conventional assumptions about what constitutes the context of a work of art and contests foundational models of linear temporality that inform long-standing conceptions of historical periodization and teleological ord

Table of Contents

Introduction: The Luminous Spiral and the Cigarette Box, or Technologies of the Afterdeath
1. Little, Little Graves: Shakespeare's Photographs of Richard II
2. Haunted Histories: Dramatic Double Exposure in Henry IV, Parts One and Two
3. Dummies and Doppelgängers: Performing for the Dead in 1 Henry VI
4. The King Machine: Reproducing Sovereignty in 3 Henry VI
5. Fuck Off and Die: The Queercrip Reign of Richard III
Postscript: Lazarus Again

How to Do Things with Dead People

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    A Hardback by Alice Dailey

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      Publisher: Cornell University Press
      Publication Date: 15/06/2022
      ISBN13: 9781501763656, 978-1501763656
      ISBN10: 1501763652

      Description

      Book Synopsis

      How to Do Things with Dead People studies human contrivances for representing and relating to the dead. Alice Dailey takes as her principal objects of inquiry Shakespeare''s English history plays, describing them as reproductive mechanisms by which living replicas of dead historical figures are regenerated in the present and re-killed. Considering the plays in these terms exposes their affinity with a transhistorical array of technologies for producing, reproducing, and interacting with dead thingstechnologies such as literary doppelgängers, photography, ventriloquist puppetry, X-ray imaging, glitch art, capital punishment machines, and cloning.

      By situating Shakespeare''s historical drama in this intermedial conversation, Dailey challenges conventional assumptions about what constitutes the context of a work of art and contests foundational models of linear temporality that inform long-standing conceptions of historical periodization and teleological ord

      Table of Contents

      Introduction: The Luminous Spiral and the Cigarette Box, or Technologies of the Afterdeath
      1. Little, Little Graves: Shakespeare's Photographs of Richard II
      2. Haunted Histories: Dramatic Double Exposure in Henry IV, Parts One and Two
      3. Dummies and Doppelgängers: Performing for the Dead in 1 Henry VI
      4. The King Machine: Reproducing Sovereignty in 3 Henry VI
      5. Fuck Off and Die: The Queercrip Reign of Richard III
      Postscript: Lazarus Again

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