Description

Marcel Moyse has become one of the legendary great flautists of the 20th century. As a pupil of Taffanel and successor to Gaubert at the Conservatoire National de Paris, he stands in the direct tradition of the French School'.Following his early studies on technique and tone, as well as his Golden Age for the Flutist and Tone Development through Interpretation, we are here presenting his last book of studies (1974) for the first time in a trilingual edition. Here Moyse has set out his pedagogic and artistic experiences in their entirety with the aim of helping not only professional flute players who have little time to practise, but everyone who loves the flute, while not forgetting the music.'Thus this volume is not restricted to technical exercises which often follow traditional patterns (Reichert), but it also aims to improve the basic aspects of flute playing (formation of tone, intonation, articulation, phrasing) using examples selected from the repertoire and in the service of mu

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Marcel Moyse has become one of the legendary great flautists of the 20th century. As a pupil of Taffanel and... Read more

    Publisher: SCHOTT MUSIC GmbH & Co KG, Mainz
    Publication Date: 1/22/1998
    ISBN13: 9783795751814, 978-3795751814
    ISBN10: 3795751810

    Description

    Marcel Moyse has become one of the legendary great flautists of the 20th century. As a pupil of Taffanel and successor to Gaubert at the Conservatoire National de Paris, he stands in the direct tradition of the French School'.Following his early studies on technique and tone, as well as his Golden Age for the Flutist and Tone Development through Interpretation, we are here presenting his last book of studies (1974) for the first time in a trilingual edition. Here Moyse has set out his pedagogic and artistic experiences in their entirety with the aim of helping not only professional flute players who have little time to practise, but everyone who loves the flute, while not forgetting the music.'Thus this volume is not restricted to technical exercises which often follow traditional patterns (Reichert), but it also aims to improve the basic aspects of flute playing (formation of tone, intonation, articulation, phrasing) using examples selected from the repertoire and in the service of mu

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