Description

Book Synopsis

This edited collection investigates the myriad ways in which disability performance travels in a globalized world.

Disability arts festivals are growing in different parts of the world; theatre and dance companies with disabled artists are increasingly touring and collaborating with international partners. At the same time, theatre spaces are often not accessible, and the necessity of mobility excludes some disabled artists from being part of an international disability arts community. How does disability performance travel, who does not travel and why? What is the role of funding and producing structures, disability arts festivals, and networks around the world? How do the logics of international (co-)producing govern the way in which disability art is represented internationally? Who is excluded from being part of a touring theatre or dance company, and how can festivals, conferences, and other agents of a growing disability culture create other forms of participation, whic

Table of Contents

Contributor Biographies

Neil Marcus: Storm Reading Tour
INTRODUCED BY PETRA KUPPERS AND RAQUEL ESCOBAR

Introduction: How Does Disability Performance Travel?
CHRISTIANE CZYMOCH, KATE MAGUIRE-ROSIER, AND YVONNE SCHMIDT

PART 1
The Politics of Touring and Travelling

1 Putting Myself into People’s Spaces: A Performer’s Journey Through World Stages
NADIA ADAME

2 The Journey of Maui and Different Light: Fellow Travelling and Learning-Disabled Theatre
TONY McCAFFREY

3 Travel Poetics
FELIPE HENRIQUE MONTEIRO OLIVEIRA
TRANSLATED BY MARIA CAROLINA MONTEIRO OLIVEIRA

4 How Disability Performance Travels in Australia:
The Reality Under the Rhetoric
BREE HADLEY WITH EDDIE PATERSON, MADELEINE LITTLE, AND KATH DUNCAN

PART 2
International Flows and Cultural Settings

5 The Travels of The ApartmentALEKSANDRA DUNAEVA
TRANSLATED BY YULIA SAVIKOVSKAYA

6 Teatro Patologico Abroad: A Medea for International Audiences
JOSEPH PAUL HILL

7 How Disability Performances Travel within Taiwan:
Sustaining Confrontations and Letting Differences Coexist in I am a Normal Person No.1 and No.2
I-LIEN HO

PART 3
Embodying Spaces, Mobilizing Environments

8 Unsettling Sitting Modes of Living: The Disability of Sitting as Creative Environmental Mobility
CIANE FERNANDES
ENGLISH REVISION BY MELINA SCIALOM

9 Travel, Mobility, and Kinetic Hierarchies in Disability Performance
MEGAN JOHNSON

10 Building Communities Online: #DisabilityTwitter and Digital Mobility
JESSICA WATKIN

11 The Animacy of Ekphrasis: Documenting Performance as Acts of Unfurling Reciprocity
BRONWYN PREECE

PART 4
Local, Site-Specific Work, Microcosms, and the Periphery

12 HAPPY ISLAND and the Islands within the Island
HENRIQUE AMOEDO, DIOGO GONCALVES, ELISABETE MONTEIRO, AND PAULA LEBRE

13 The Travels of a Municipal Theatre Group for People with Learning Disabilities: Attempts at Subverting the Axes of Injustice
VIBEKE GLORSTAD

14 Optimistic Becomings: Learning Disability Performance Outward Bound
MARGARET AMES

Index

How Does Disability Performance Travel

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    £128.25

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    RRP £135.00 – you save £6.75 (5%)

    Order before 4pm today for delivery by Thu 25 Jun 2026.

    A Hardback by Christiane Czymoch, Kate Maguire-Rosier, Yvonne Schmidt

    15 in stock


      View other formats and editions of How Does Disability Performance Travel by Christiane Czymoch

      Publisher: Taylor & Francis Ltd
      Publication Date: 12/12/2023 12:00:00 AM
      ISBN13: 9781032138039, 978-1032138039
      ISBN10: 1032138033

      Description

      Book Synopsis

      This edited collection investigates the myriad ways in which disability performance travels in a globalized world.

      Disability arts festivals are growing in different parts of the world; theatre and dance companies with disabled artists are increasingly touring and collaborating with international partners. At the same time, theatre spaces are often not accessible, and the necessity of mobility excludes some disabled artists from being part of an international disability arts community. How does disability performance travel, who does not travel and why? What is the role of funding and producing structures, disability arts festivals, and networks around the world? How do the logics of international (co-)producing govern the way in which disability art is represented internationally? Who is excluded from being part of a touring theatre or dance company, and how can festivals, conferences, and other agents of a growing disability culture create other forms of participation, whic

      Table of Contents

      Contributor Biographies

      Neil Marcus: Storm Reading Tour
      INTRODUCED BY PETRA KUPPERS AND RAQUEL ESCOBAR

      Introduction: How Does Disability Performance Travel?
      CHRISTIANE CZYMOCH, KATE MAGUIRE-ROSIER, AND YVONNE SCHMIDT

      PART 1
      The Politics of Touring and Travelling

      1 Putting Myself into People’s Spaces: A Performer’s Journey Through World Stages
      NADIA ADAME

      2 The Journey of Maui and Different Light: Fellow Travelling and Learning-Disabled Theatre
      TONY McCAFFREY

      3 Travel Poetics
      FELIPE HENRIQUE MONTEIRO OLIVEIRA
      TRANSLATED BY MARIA CAROLINA MONTEIRO OLIVEIRA

      4 How Disability Performance Travels in Australia:
      The Reality Under the Rhetoric
      BREE HADLEY WITH EDDIE PATERSON, MADELEINE LITTLE, AND KATH DUNCAN

      PART 2
      International Flows and Cultural Settings

      5 The Travels of The ApartmentALEKSANDRA DUNAEVA
      TRANSLATED BY YULIA SAVIKOVSKAYA

      6 Teatro Patologico Abroad: A Medea for International Audiences
      JOSEPH PAUL HILL

      7 How Disability Performances Travel within Taiwan:
      Sustaining Confrontations and Letting Differences Coexist in I am a Normal Person No.1 and No.2
      I-LIEN HO

      PART 3
      Embodying Spaces, Mobilizing Environments

      8 Unsettling Sitting Modes of Living: The Disability of Sitting as Creative Environmental Mobility
      CIANE FERNANDES
      ENGLISH REVISION BY MELINA SCIALOM

      9 Travel, Mobility, and Kinetic Hierarchies in Disability Performance
      MEGAN JOHNSON

      10 Building Communities Online: #DisabilityTwitter and Digital Mobility
      JESSICA WATKIN

      11 The Animacy of Ekphrasis: Documenting Performance as Acts of Unfurling Reciprocity
      BRONWYN PREECE

      PART 4
      Local, Site-Specific Work, Microcosms, and the Periphery

      12 HAPPY ISLAND and the Islands within the Island
      HENRIQUE AMOEDO, DIOGO GONCALVES, ELISABETE MONTEIRO, AND PAULA LEBRE

      13 The Travels of a Municipal Theatre Group for People with Learning Disabilities: Attempts at Subverting the Axes of Injustice
      VIBEKE GLORSTAD

      14 Optimistic Becomings: Learning Disability Performance Outward Bound
      MARGARET AMES

      Index

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