Description

Book Synopsis
The qaṣīdah and the qiṭʿah are well known to scholars of classical Arabic literature, but the maqṭūʿ, a form of poetry that emerged in the thirteenth century and soon became ubiquitous, is as obscure today as it was once popular. These poems circulated across the Arabo-Islamic world for some six centuries in speech, letters, inscriptions, and, above all, anthologies. Drawing on more than a hundred unpublished and published works, How Do You Say “Epigram” in Arabic? is the first study of this highly popular and adaptable genre of Arabic poetry. By addressing this lacuna, the book models an alternative comparative literature, one in which the history of Arabic poetry has as much to tell us about epigrams as does Greek.

Trade Review
"... a major contribution to the history of pre-modern Arabic literature." - Hakan Özkan, in: Mamluk Studies Review, Vol. 21, 2018. "... Adam Talib's monograph is a useful preliminary tool for experienced scholars and young researchers alike." - Luca Rizzo, Università Ca' Foscari, Venezia & Westfälische Wilhelms-Universität Münster, in: Quaderni di Studi Arabi 13 (2018) "... his careful and thoughtful treatment of the subject of genre sets future research on the right path" - Lara Harb, Princeton University, in: Journal of Arabic Literature 50 (2019) “The work under review is a relevant example of both these scholarly achievements and the persistence of biased narrowness, for it does not only venture into a still largely unexplored chronology, but also into the terra incognita of a hitherto overlooked genre: the short poems (maqāṭīʿ) conventionally called epigrams. […] The main objective of Talib’s ground-breaking study is to claim the maqāṭīʿ as a genre of their own. This is undoubtedly achieved, and this work will become a compulsory reference for researchers of Arabic literature. Despite its complexity, this will be also a very useful text for BA students, who can profit from Talib’s editions, translations and close reading of the poems. Scholars interested in postcolonial studies and comparative literature will find insightful discussions and enjoy Talib’s aporetic disquisitions.” - Ignacio Sánchez, University of Warwick in: Orientalistische Literaturzeitung Volume 115, Issue 4-5 (2020).

Table of Contents
Note to Readers Acknowledgments List of Abbreviations Preamble: Growth and Graft On Wholeness 1 A Bounding Line 2 The Sum of its Parts Arabic Poetry, Greek Terminology Preliminary Remarks 3 Epigrams in the World 4 Hegemonic Presumptions and Atomic Fallout 5 Epigrams in Parallax Appendix Annotated Bibliography of Unpublished Sources Sources Index

How Do You Say “Epigram” in Arabic?: Literary

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    A Hardback by Adam Talib

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      Publisher: Brill
      Publication Date: 26/10/2017
      ISBN13: 9789004349964, 978-9004349964
      ISBN10: 9004349960

      Description

      Book Synopsis
      The qaṣīdah and the qiṭʿah are well known to scholars of classical Arabic literature, but the maqṭūʿ, a form of poetry that emerged in the thirteenth century and soon became ubiquitous, is as obscure today as it was once popular. These poems circulated across the Arabo-Islamic world for some six centuries in speech, letters, inscriptions, and, above all, anthologies. Drawing on more than a hundred unpublished and published works, How Do You Say “Epigram” in Arabic? is the first study of this highly popular and adaptable genre of Arabic poetry. By addressing this lacuna, the book models an alternative comparative literature, one in which the history of Arabic poetry has as much to tell us about epigrams as does Greek.

      Trade Review
      "... a major contribution to the history of pre-modern Arabic literature." - Hakan Özkan, in: Mamluk Studies Review, Vol. 21, 2018. "... Adam Talib's monograph is a useful preliminary tool for experienced scholars and young researchers alike." - Luca Rizzo, Università Ca' Foscari, Venezia & Westfälische Wilhelms-Universität Münster, in: Quaderni di Studi Arabi 13 (2018) "... his careful and thoughtful treatment of the subject of genre sets future research on the right path" - Lara Harb, Princeton University, in: Journal of Arabic Literature 50 (2019) “The work under review is a relevant example of both these scholarly achievements and the persistence of biased narrowness, for it does not only venture into a still largely unexplored chronology, but also into the terra incognita of a hitherto overlooked genre: the short poems (maqāṭīʿ) conventionally called epigrams. […] The main objective of Talib’s ground-breaking study is to claim the maqāṭīʿ as a genre of their own. This is undoubtedly achieved, and this work will become a compulsory reference for researchers of Arabic literature. Despite its complexity, this will be also a very useful text for BA students, who can profit from Talib’s editions, translations and close reading of the poems. Scholars interested in postcolonial studies and comparative literature will find insightful discussions and enjoy Talib’s aporetic disquisitions.” - Ignacio Sánchez, University of Warwick in: Orientalistische Literaturzeitung Volume 115, Issue 4-5 (2020).

      Table of Contents
      Note to Readers Acknowledgments List of Abbreviations Preamble: Growth and Graft On Wholeness 1 A Bounding Line 2 The Sum of its Parts Arabic Poetry, Greek Terminology Preliminary Remarks 3 Epigrams in the World 4 Hegemonic Presumptions and Atomic Fallout 5 Epigrams in Parallax Appendix Annotated Bibliography of Unpublished Sources Sources Index

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