Description
Book Synopsis Hotbeds of Licentiousness is the first substantial critical engagement with British pornography on film across the 1970s, including the “Summer of Love,” the rise and fall of the Permissive Society, the arrival of Margaret Thatcher, and beyond. By focusing on a series of colorful filmmakers whose work, while omnipresent during the 1970s, now remains critically ignored, author Benjamin Halligan discusses pornography in terms of lifestyle aspirations and opportunities which point to radical changes in British society. In this way, pornography is approached as a crucial optic with which to consider recent cultural and social history.
Trade Review “Halligan thrives when exploring a text’s cultural contradictions and the cracks in the philosophies underpinning the work. However, the book’s greatest asset is in taking these films (which rarely appear in most histories of British cinema) seriously.” • Choice
“Halligan has uncovered a new canon of British filmmakers who for the most part have been ignored in previous histories, who played an important role in this secretive, frequently controversial world…In his new book… we get some fascinating insight into the history of British pornography and its connection to politics and the campaigning against it of groups such as the Festival of Light.. For anyone interested in this occasionally murky aspect of British film industry, this is an essential addition to a library.” • Cinema Retro
“This book is a thought-provoking read not only for devotees of British cinema, but for anybody interested in the byways of film production, how obscenity is defined, the rationale for censorship and that liminal area where film interacts with the prevailing culture.” • Off Screen
Table of Contents List of illustrations
Acknowledgements
Introduction: The Soul of Pornography
Part I: The Permissive Society and Its Discontents
Chapter 1. Two Notional Regimes of Permissiveness
Chapter 2. An Anti-Permissive Front
Part II: The Hardcore
Chapter 3. The ‘Connoisseur of Female Beauty’ and the ‘Curve Prospector’: Harrison Marks and Russell Gay
Chapter 4. Erectile and Societal Dysfunctionality: The John Lindsay Loops
Part III: The Softcore
Chapter 5. Derek Ford in Essex
Chapter 6. Tory Erotica: Sexual Fantasies for the Nouveau Riche
Chapter 7. David Hamilton’s Uranian Cinema
Coda: Post-Permissive Pornography
Chapter 8. ‘Fucking Bang Me Like a Slag!’: Men with Men after Thatcher
Conclusion: ‘That’s What the Average Man Wants’
Reference List
