Description
Book SynopsisExamines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white peoplesuch as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparentproliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far rightparticularly in the mobilization, representation, and sustenance of structural white supremacy on television. Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are horrible white people,
Trade ReviewHorrible White People examines contemporary TV’s preoccupation with White people’s anxieties and fears. Taylor Nygaard and Jorie Lagerway define what they call the Horrible White People cycle as a group of shows that emerged after the Great Recession between 2014 and 2016, mostly starring White actors in 30 minute comedies or satires. * Ethnic and Racial Studies *
Makes an important contribution to television and media studies, which is in the beginning stages of grappling with its own Whiteness. Cannily, Nygaard and Lagerwey focus on series that appear less nakedly racist, even liberal, to show how White supremacy is more common and insidious than most scholarship recognizes. Yet they never forget to attend to the nuances of representation, how race intersects with other indices of identity -- class, gender, etc. -- and how representationally groundbreaking series can simultaneously reinforce norms and obfuscate systemic privilege. This book fills a much-needed gap in media studies and will find a place in my syllabi for the foreseeable future. * Aymar Jean Christian, author of
Open TV: Innovation Beyond Hollywood and the Rise of Web Television *
A bold, insightful analysis of what Nygaard and Lagerwey identify as a key cycle of sitcoms: ‘horrible White people’ shows. With an insistently anti-racist and feminist lens, they connect this cycle to shifts in the contemporary media industry and U.S. culture in order to show how Whiteness, yet again, reinvents itself. * Sarah Projansky, author of
Spectacular Girls: Media Fascination and Celebrity Culture *
