Description

In Hollywood Remembered, a wide array of Tinseltown veterans share their stories of life in the city of dreams from the days of silent pictures to the present. The 35 voices, many of whom have come to know Hollywood inside-out, range from film producers and movie stars to restauranteurs and preservationists. Actress Evelyn Keyes recalls how, fresh from Georgia, she met Cecil B. DeMille and was soon acting in Gone With The Wind; Blacklisted writer Walter Bernstein tells how he transformed his McCarthy era-experiences into drama with The Front; Steve Allen speaks out on how Hollywood has changed since he first came there in the 1920s; and Jonathan Winters relates how he left a mental institution to come work with Stanley Kramer in It's a Mad, Mad, Mad, Mad World. Composers, cinematographers, bartenders, bit-players, publicists, and others add to the portrait of a place where, in days gone by, the idols of a nation walked down the famous boulevards daily, and nearly everybody-in and out of the movie business-knew one another.

Hollywood Remembered: An Oral History of Its Golden Age

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Hardback by Paul Zollo

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In Hollywood Remembered, a wide array of Tinseltown veterans share their stories of life in the city of dreams from... Read more

    Publisher: Cooper Square Publishers Inc.,U.S.
    Publication Date: 22/12/2002
    ISBN13: 9780815412397, 978-0815412397
    ISBN10: 0815412398

    Number of Pages: 416

    Description

    In Hollywood Remembered, a wide array of Tinseltown veterans share their stories of life in the city of dreams from the days of silent pictures to the present. The 35 voices, many of whom have come to know Hollywood inside-out, range from film producers and movie stars to restauranteurs and preservationists. Actress Evelyn Keyes recalls how, fresh from Georgia, she met Cecil B. DeMille and was soon acting in Gone With The Wind; Blacklisted writer Walter Bernstein tells how he transformed his McCarthy era-experiences into drama with The Front; Steve Allen speaks out on how Hollywood has changed since he first came there in the 1920s; and Jonathan Winters relates how he left a mental institution to come work with Stanley Kramer in It's a Mad, Mad, Mad, Mad World. Composers, cinematographers, bartenders, bit-players, publicists, and others add to the portrait of a place where, in days gone by, the idols of a nation walked down the famous boulevards daily, and nearly everybody-in and out of the movie business-knew one another.

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