Description
Book SynopsisHollywood has a long tradition of bringing in emigre directors from around the world, dating back to the silent era. Today, as the film industry is ever more global, the people who make blockbuster movies seemingly reflect this tradition, hailing from many countries across the world. But that fact hides a fundamental difference, one that Melis Behlil examines in
Hollywood is Everywhere: today's Hollywood studios are themselves transnational, with ownership structures and financial arrangements that stretch far beyond the borders of the United States. Seen in that context, today's international directors are less analogous to the emigre talent of the past than to ordinary transnational employees of other major global corporations.
Table of ContentsIntroduction: Hello Hollywood 1. Defining Hollywood 2. Cultural Work in a Globalizing World 3. Histories and Geographies of Global Directors 4. A View to a Franchise: James Bond 5. "Once More with the Volume Up": Auto-Remakes 6. I Want My MTV: Advertising and Music Videos 7. Conclusion: "Everywhere is Hollywood" Bibliography
