Description

Book Synopsis

William Hogarth is a house-hold name across the country, his prints hang in our pubs and leap out from our history-books. He painted the great and good but also the common people. His art is comically exuberant, ''carried away by a passion for the ridiculous'', as Hazlitt said.

Jenny Uglow, acclaimed author of Elizabeth Gaskell, Nature''s Engraver and In These Times, uncovers the man, but also the world he sprang from and the lives he pictured. He moved in the worlds of theatre, literature, journalism and politics, and found subjects for his work over the whole gamut of eighteenth century London, from street scenes to drawing rooms, and from churches to gambling halls and prisons. After striving years as an engraver and painter, Hogarth leapt into lasting fame with A Harlot''s Progress and A Rake''s Progress, but remained highly critical of the growing gulf between the luxurious lives of the ruling elite and the wretched poverty of t

Hogarth

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    A Paperback / softback by Jenny Uglow

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      Publisher: Faber & Faber
      Publication Date: 08/04/2002
      ISBN13: 9780571193769, 978-0571193769
      ISBN10: 0571193765

      Description

      Book Synopsis

      William Hogarth is a house-hold name across the country, his prints hang in our pubs and leap out from our history-books. He painted the great and good but also the common people. His art is comically exuberant, ''carried away by a passion for the ridiculous'', as Hazlitt said.

      Jenny Uglow, acclaimed author of Elizabeth Gaskell, Nature''s Engraver and In These Times, uncovers the man, but also the world he sprang from and the lives he pictured. He moved in the worlds of theatre, literature, journalism and politics, and found subjects for his work over the whole gamut of eighteenth century London, from street scenes to drawing rooms, and from churches to gambling halls and prisons. After striving years as an engraver and painter, Hogarth leapt into lasting fame with A Harlot''s Progress and A Rake''s Progress, but remained highly critical of the growing gulf between the luxurious lives of the ruling elite and the wretched poverty of t

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