Description
Book SynopsisHoarding New Guinea provides a new cultural history of colonialism that pays close attention to the millions of Indigenous artifacts that serve as witnesses to Europe’s colonial past in ethnographic museums. Rainer F. Buschmann investigates the roughly two hundred thousand artifacts extracted from the colony of German New Guinea from 1870 to 1920. Reversing the typical trajectories that place ethnographic museums at the center of the analysis, he concludes that museum interests in material culture alone cannot account for the large quantities of extracted artifacts.
Buschmann moves beyond the easy definition of artifacts as trophies of colonial defeat or religious conversion, instead employing the term
hoarding to describe the irrational amassing of Indigenous artifacts by European colonial residents. Buschmann also highlights Indigenous material culture as a bargaining chip for its producers to engage with the imposed colonial regime. In addition, by ce
Trade Review"This book will fascinate scholars in museum studies, postcolonial studies, memory studies, cultural geography, and anyone interested in tracing the history of material culture. Beyond the case study and geographic focus, this scholarship will also inform explorations into local colonial collections in other parts of the world, from Africa to Canada. By making space for Indigenous actions and reactions, the study will become a model for the decentering of historical studies on colonial artifacts."—Hélène B. Ducros,
EuropeNow“
Hoarding New Guinea manages to be both historically grounded and also attuned to contemporary recognitions of Indigenous agency. The book’s findings and conclusions are sobering, surprising, and illuminating in equal measure, and a refreshing corrective to much superficial postcolonial writing that simplifies and flattens the complexities of the colonial encounter.”—Conal McCarthy, author of
Museums and Māori: Heritage Professionals, Indigenous Collections, Current Practice“This book establishes its topical focus—the hoarding of New Guinea—in a sound analysis of colonial ethnographic collection histories, thus grounding the critique of the present and potential reimagination of the future in a nuanced understanding of the past. Such careful and detailed work is much needed, long overdue, and highly important. It will be of interest to museum scholars as well as professionals and students.”—Philipp Schorch, author of
Refocusing Ethnographic Museums through Oceanic LensesTable of ContentsList of Illustrations
Series Editors’ Introduction
Acknowledgments
Introduction
1. The Itinerant Yet Stubbornly Stable European Value of Material Culture, Circa 1870–1920
2. Ethnographic Resident Collection Networks in German New Guinea
3. Contested Indigenous Borderlands
4. Artifact Exchanges along the Ethnographic Borderlands
Conclusion
Appendix: Three Ways of Estimating Artifact Extraction from German New Guinea
Notes
Bibliography
Index
