Description
Book SynopsisFilm historian James Chapman has mined Hitchcock's own papers to investigate fully for the first time the spy thrillers of the world's most famous filmmaker. Hitchcock made his name as director of the spy movie. He returned repeatedly to the genre from the British classics of the 1930s, including The 39 Steps and The Lady Vanishes, through wartime Hollywood films Foreign Correspondent and Saboteur to the Cold War tracts North by Northwest, Torn Curtain and his unmade film The Short Night. Chapman's close reading of these films demonstrates the development of Hitchcock's own style as well as how the spy genre as a whole responded to changing political and cultural contexts from the threat of Nazism in the 1930s and 40s to the atom spies and double agents of the post-war world.
Trade Review"In this judicious, authoritative, and fluent book, film historian, James Chapman, deftly plots the fertile marriage between the master of suspense and the espionage thriller. In doing so he achieves far more: a deeply researched and richly nuanced perspective upon the trajectory of Hitchcock's entire career after the coming of sound."--Richard Allen, author of Hitchcock's Romantic Irony, 'James Chapman is an authentic historian, and his expertise fully pays off in this important addition to the Hitchcock literature. His book achieves a pleasing balance between film and politics, between Hitchcock's own authorship and his multiple influences, and - especially welcome - between the British and American sections of his long career.' - Charles Barr, author of Ealing Studios and The English Hitchcock
