Description

Book Synopsis
A practical handbook for early keyboard technique

Trade Review

The basic approach to playing the harpsichord with sensitivity which Kosovske encourages is absolutely right, and this will be a valuable reference book for those setting out to play the harpsichord seriously. Because so much of the material presented here is relevant to any early keyboard instrument, it will be of value to other performers as well, particularly those playing the fortepiano.

* The Consort *

Kosovske's book is an important addition to the literature on harpsichord playing. The focus on touch, and sound production in particular, gives it its own weight and importance. . . . [I]t will certainly remain an important reference work for many years to come.

* Early Music Performer *

Period performance has established such strong norms by now that students too often simply follow notable current performers, not bothering with historical performance sources. Excellent and necessary as it is to follow a good model, returning to the sources is the best way of then developing one's own individuality and creativity. Those starting out on the journey need a reliable guide, and that is what Kosovske provides.

* Early Music *

[This] book is methodical and well-written, and it is a strong contender for inclusion in any harpsichordist's library.

* Early Music America *

Table of Contents

Acknowledgments

Introduction: La douceur du toucher
1. Preparing to Play
Beginning Lessons
Selecting an Instrument
Position at the Keyboard
Posture
Relaxation
Arms and Elbows
Wrists
Curvature of the Hands and Fingers
2. Touching the Instrument
Warm-up Exercises
Touching the Keys
Gravity
Stroking the Keys
Motion of the Hands and Wrists
Dynamics
Playing Different Keyboard Instruments
3. Articulation
What Is Articulation?
"Ordinary Manner"
Legato
Slurs
Arpeggios
Staggered Playing
Grace Notes and Trills
Cantabile
Detached Playing
Silences
Agogic Accents
Timing
4. Fingering
Comfort and Context
Strong and Weak Notes
Use of the Thumb
Contraction of the Hand
Artistic Freedom
Conclusion

Appendix: Brief Biographical Notes on People Mentioned in the Text
Notes
Bibliography
Index

Historical Harpsichord Technique Developing La

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    A Hardback by Yonit Lea Kosovske

    1 in stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Historical Harpsichord Technique Developing La by Yonit Lea Kosovske

      Publisher: Indiana University Press
      Publication Date: Publication Date: 11/07/2011
      ISBN13: 9780253356475, 978-0253356475
      ISBN10: 0253356474

      Description

      Book Synopsis
      A practical handbook for early keyboard technique

      Trade Review

      The basic approach to playing the harpsichord with sensitivity which Kosovske encourages is absolutely right, and this will be a valuable reference book for those setting out to play the harpsichord seriously. Because so much of the material presented here is relevant to any early keyboard instrument, it will be of value to other performers as well, particularly those playing the fortepiano.

      * The Consort *

      Kosovske's book is an important addition to the literature on harpsichord playing. The focus on touch, and sound production in particular, gives it its own weight and importance. . . . [I]t will certainly remain an important reference work for many years to come.

      * Early Music Performer *

      Period performance has established such strong norms by now that students too often simply follow notable current performers, not bothering with historical performance sources. Excellent and necessary as it is to follow a good model, returning to the sources is the best way of then developing one's own individuality and creativity. Those starting out on the journey need a reliable guide, and that is what Kosovske provides.

      * Early Music *

      [This] book is methodical and well-written, and it is a strong contender for inclusion in any harpsichordist's library.

      * Early Music America *

      Table of Contents

      Acknowledgments

      Introduction: La douceur du toucher
      1. Preparing to Play
      Beginning Lessons
      Selecting an Instrument
      Position at the Keyboard
      Posture
      Relaxation
      Arms and Elbows
      Wrists
      Curvature of the Hands and Fingers
      2. Touching the Instrument
      Warm-up Exercises
      Touching the Keys
      Gravity
      Stroking the Keys
      Motion of the Hands and Wrists
      Dynamics
      Playing Different Keyboard Instruments
      3. Articulation
      What Is Articulation?
      "Ordinary Manner"
      Legato
      Slurs
      Arpeggios
      Staggered Playing
      Grace Notes and Trills
      Cantabile
      Detached Playing
      Silences
      Agogic Accents
      Timing
      4. Fingering
      Comfort and Context
      Strong and Weak Notes
      Use of the Thumb
      Contraction of the Hand
      Artistic Freedom
      Conclusion

      Appendix: Brief Biographical Notes on People Mentioned in the Text
      Notes
      Bibliography
      Index

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