Description
Book SynopsisThis book explores the role of hip hop in grassroots changes occurring today in Africa. It argues that artists use hip hop to confront social structures and reveals the complexity and dynamic nature of African culture, the entanglements between local and global movements, and the synergy of youth mobilization.
Trade ReviewIn recent years, several books have been published concerning African hip-hop, including Eric Charry’s Hip-hop Africa: New African Music in a Globalizing World (2012) and Mwenda Ntarangwi’s East African Hip-hop: Youth Culture and Globalization. While these books tackle some aspects of the societal implications of the music genre, they tend to focus on globalization, youth culture, or the music alone. The work under review is sharply focused on a critical examination of hip-hop and social change, whether by political and social commentary or by actually changing traditions and behavior. Furthermore, the book is unique in that it blends essays written by scholars as well as by some African hip-hop artists themselves, which allows for an exploration of the topic from both academic and firsthand perspectives. . . .The essays are thoughtful, insightful, and well written. All academic libraries with substantive African studies and/or world music collections. Summing Up: Highly recommended. All levels/libraries. * CHOICE *
This story of hip-hop in Africa, as heard from the voices of artists, activists and academics, is a crucially important work on the history and politics of the African contribution to the global hip hop movement. Instead of acting as passive observers to or victims of government corruption, poverty, police brutality, gender discrimination, and exploitation by the hands of multinational corporations, African hip hop artists are acting as rebel agents of change in their local communities. By calling into question the triumph of neo-liberal economic policies, Hip Hop and Social Change in Africa has given us an insightful and comprehensive analysis on how hip hop speaks truth to power and oppression. -- Seth Markle, Trinity College
Hip Hop and Social Change in Africa: Ni Wakati positively broadens our understanding of hip hop on the continent. It shows how hip hop in its spoken, written, and visual form has created outlets for Africans north-south and east-west to recognize, perceive, understand, and respond to the problems of the twenty-first century. In short, Clark and Koster bring together important contributions from scholars and artists that illustrate the pan-African force that is hip hop. -- P. Khalil Saucier, Rhode Island College
Table of Contents1. Introduction by Msia Kibona Clark and Mickie Mwanzia Koster Part I: “Social Ills”: Coming from Behind the Microphone to Effect Reform in Africa 2. Hip-Hop Halisi: Continuities of Heroism on the African Political Landscape, Caroline Mose 3. Building Our Nation: Sénégalese Hip Hop Artists as Agents of Social and Political Change, Sheba Lo 4. Speaking Truth to Power: Hip-Hop and the African Awakening, Amentahru Wahlrab Essay 1 English. “Malian Hip Hop: Social Engagement through Music,” Amkoullel L'enfant Peulh Part II: “The Dusty Foot Philosopher”: Hip Hop Voices on Social Change in Africa Essay 2. “How Hip Hop Impacts Social Change in Africa,” Malle Marxist 5. Redefining the Struggle: Remembering the Mau Mau through Hip-Hop Music, Mich Nyawalo 6. Khoi Hop: Hip Hop, Youth Activism and the Dilemma of Coloured Identity in South Africa, Shaheen Ariefdien and Rico Chapman 7. Beyond “Y’en a Marre”: Pikine’s Hip Hop Youth Say “Enough is Enough” and Pave the Way for Continuous Social Change, Asligul Berktay 8. Gender representations among Tanzanian female emcees, Msia Kibona Clark Essay 3. “Hip-Hop and social change in Uganda” by Slim MC Part III: “Adjuma”: Hip Hop’s Transformation of the Urban Space in Africa Essay 4. “Tanzanian MCs vs. Social Discourse,” Mejah Mbuya 9. From The Great Island To The African Continent Through The Western World: Itineraries Of A “Return To The Origins” Through Hip Hop Music In Madagascar (2000–2011), Klara Boyer-Rossol 10. The Musicscapes of a Country in Transition: Cultural Identity, Youth Agency, The Emergent Hip Hop Culture and the Quest for Socio-Political Change in Sierra Leone, John Idriss Lahai 11. Hip-hop and Sheng in Nairobi – Creating Identity Markers and Expressing a Lifestyle, Katharina Greven Afterword: “Reflections on Ni Wakati: Hip Hop and the Revolution,” Kamau Ngigi (Kama of Kalamashaka)
