Description

Book Synopsis

Hinterland is a quarterly, print and digital magazine dedicated to creative non-fiction.

Hinterland's fourth issue celebrates the art of a beautifully turned piece of flash writing, with our Flash Non-Fiction Special: 40 pages of the best bite-sized writing around. Mark Cocker leads with a piece on the army ant, others consider topics as varied as migrant youth, New York through the decades, the troubling life of pets, inter-racial relationships, and the fall of dictators.

Inside a stunning cover, created exclusively for Hinterland by artist Mia Hague, is an outstanding line-up of new creative non-fiction plus all our great regular features, including a beautiful photo essay by Lily Bungay and an interview with Tessa McWatt.

Hinterland: Winter/Spring: 2020

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    £9.50

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    RRP £10.00 – you save £0.50 (5%)

    Order before 4pm today for delivery by Thu 18 Jun 2026.

    A Paperback / softback by Mia Hague, Tom Hutchings, Andrew Kenrick

    1 in stock

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      View other formats and editions of Hinterland: Winter/Spring: 2020 by Mia Hague

      Publisher: UEA Publishing Project
      Publication Date: 03/02/2020
      ISBN13: 9781911343882, 978-1911343882
      ISBN10: 1911343882
      Also in:
      Biography True crime True stories / true accounts of events Travel & Transport Travel writing

      Description

      Book Synopsis

      Hinterland is a quarterly, print and digital magazine dedicated to creative non-fiction.

      Hinterland's fourth issue celebrates the art of a beautifully turned piece of flash writing, with our Flash Non-Fiction Special: 40 pages of the best bite-sized writing around. Mark Cocker leads with a piece on the army ant, others consider topics as varied as migrant youth, New York through the decades, the troubling life of pets, inter-racial relationships, and the fall of dictators.

      Inside a stunning cover, created exclusively for Hinterland by artist Mia Hague, is an outstanding line-up of new creative non-fiction plus all our great regular features, including a beautiful photo essay by Lily Bungay and an interview with Tessa McWatt.

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