Description

Book Synopsis
Hijikata Tatsumi's explosive 1959 debut Forbidden Colors sparked a new genre of performance in Japan - butoh: an art form of contrasts, by turns shocking and serene.

Trade Review

“The newly published paperback edition of Bruce Baird’s … is perfectly timed to ride the current wave of interest in butoh. … Baird provides detailed descriptions of all of Hijikata’s dances, including quotations from primary sources and records, and with photographs throughout.” (William Andrews, The Japan Times, japantimes.com, May, 2016)

"The book is a veritable treasure trove of information and reflects the many years it took to complete the project . . . it is also a book which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - Tokyo Notice Board

"A meticulously researched description and analysis of Hijikata's most significant choreographic and textual productions . . . Hijikata Tatsumi and Butoh is a major contribution to the Anglophone literature on butoh, particularly through its extensive referencing and explication of archival materials and texts not available outside of Japan. For scholars of postwar avant-garde Japanese arts, Baird's work brings dance fully into the conversation, particularly with literature and visual art. For butoh dancers, this book is significant for the way Baird challenges the mystification and mythologizing that has grown up around Hijikata (and was indeed often generated by Hijikata himself) . . . Baird presents his readers with the many socially constructed layers of Hijikata that influenced and were reflected in his productions (e.g., the Tohoku of his childhood, Tokyo in the 1960s and 1970s, Japanese and European surrealists and avant-garde artists), while leaving open the possibility of other interpretations. This openness to interpretation is Hijikata Tatsumi and Butoh's greatest gift." - Asian Theater Journal

"Baird's Hijikata Tatsumi and Butoh offers English-language readers the single most rigorous treatment of Hijikata's work to date, with a meticulous examination of Hijikata's major works from the late 1950s to the 1970s." - Monumenta Nipponica

"The book is a veritable treasure trove of information . . . which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - SFAQ: San Francisco Arts Quarterly



Table of Contents
Introduction: And, And, And
Outline of the Book
Forbidden Eros and Evading Force: Hijikata's Early Years
A Story of Dances that Sustain Enigma
Pivoting Panels and Slashing Space: Rebellion and Identity
My Mother Tied Me on Her Back: Story of Smallpox
The Possibility Body: Embodying the Other, Negotiating the World
Metaphorical Miscegenation in Memoirs: Hijikata Tatsumi in the Information Age
Epilogue: The Emaciated Body in the World

Hijikata Tatsumi and Butoh Dancing in a Pool of Gray Grits Palgrave Studies in Theatre and Performance History

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    A Hardback by Bruce Baird

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      View other formats and editions of Hijikata Tatsumi and Butoh Dancing in a Pool of Gray Grits Palgrave Studies in Theatre and Performance History by Bruce Baird

      Publisher: Palgrave MacMillan Us
      Publication Date: 1/17/2012 12:00:00 AM
      ISBN13: 9780230120402, 978-0230120402
      ISBN10: 0230120407

      Description

      Book Synopsis
      Hijikata Tatsumi's explosive 1959 debut Forbidden Colors sparked a new genre of performance in Japan - butoh: an art form of contrasts, by turns shocking and serene.

      Trade Review

      “The newly published paperback edition of Bruce Baird’s … is perfectly timed to ride the current wave of interest in butoh. … Baird provides detailed descriptions of all of Hijikata’s dances, including quotations from primary sources and records, and with photographs throughout.” (William Andrews, The Japan Times, japantimes.com, May, 2016)

      "The book is a veritable treasure trove of information and reflects the many years it took to complete the project . . . it is also a book which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - Tokyo Notice Board

      "A meticulously researched description and analysis of Hijikata's most significant choreographic and textual productions . . . Hijikata Tatsumi and Butoh is a major contribution to the Anglophone literature on butoh, particularly through its extensive referencing and explication of archival materials and texts not available outside of Japan. For scholars of postwar avant-garde Japanese arts, Baird's work brings dance fully into the conversation, particularly with literature and visual art. For butoh dancers, this book is significant for the way Baird challenges the mystification and mythologizing that has grown up around Hijikata (and was indeed often generated by Hijikata himself) . . . Baird presents his readers with the many socially constructed layers of Hijikata that influenced and were reflected in his productions (e.g., the Tohoku of his childhood, Tokyo in the 1960s and 1970s, Japanese and European surrealists and avant-garde artists), while leaving open the possibility of other interpretations. This openness to interpretation is Hijikata Tatsumi and Butoh's greatest gift." - Asian Theater Journal

      "Baird's Hijikata Tatsumi and Butoh offers English-language readers the single most rigorous treatment of Hijikata's work to date, with a meticulous examination of Hijikata's major works from the late 1950s to the 1970s." - Monumenta Nipponica

      "The book is a veritable treasure trove of information . . . which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - SFAQ: San Francisco Arts Quarterly



      Table of Contents
      Introduction: And, And, And
      Outline of the Book
      Forbidden Eros and Evading Force: Hijikata's Early Years
      A Story of Dances that Sustain Enigma
      Pivoting Panels and Slashing Space: Rebellion and Identity
      My Mother Tied Me on Her Back: Story of Smallpox
      The Possibility Body: Embodying the Other, Negotiating the World
      Metaphorical Miscegenation in Memoirs: Hijikata Tatsumi in the Information Age
      Epilogue: The Emaciated Body in the World

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